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#241 | |||
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And yeah, she's referred to him as Patrick before and he's called her Teresa, but they ARE Jane and Lisbon to me. Like on JAG - Harm called Mac "Sarah" in a few of their serious moments, but even after they got together, it was "I love you, Mac." "Mac and I have an announcement," etc. He didn't switch over to the first name because that's not who he knows her as. Even though most people in their lives call her Mac, that's the familar name, that's the intimate name, that's HER name and that's how he calls her. I would have been a bit weirded out (in a 'this is odd' way) had he automatically switched to "Sarah" because that would almost seem like he saw her as a different person - or that she WAS a different person - once they got together. But they weren't. He fell in love with Mac, he knows Mac, so she remained Mac. And for the same reason, I want Jane and Lisbon to keep calling each other primarily what they always have. __________________
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#242 | |||
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I love your analogy with Mac/Harm. It is very much the same thing and JAG handled it very well. It would have been completely wrong for Harm to suddenly start calling Mac Sarah all the time. Almost as if he was addressing a stranger.
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Sheldon/Amy ღ Mulder/Scully ღ Peter/Olivia ღ Mac/Harm ღ Toby/Happy ღ Walter/Paige ღ Wylie/Vega </scorpion> ♣ Fringe ♣ The Mentalist "You said you were sad that you'd never see the stars again" - Sylvester Dodd ~Heidi |
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#243 | |||
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(I've had a few people on Tumblr think that my views on the last name thing somehow means I don't ship them - so going on record once again, Mac and Harm are far and away my favorite ship of all time so a comparison between them and Jane and Lisbon, coming from me, is a huge compliment. ) __________________
I wanna go too far; I wanna go too fast. Somebody draw the line so I can blow right past. |
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#245 | |||
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I wanna go too far; I wanna go too fast. Somebody draw the line so I can blow right past. |
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#246 | |||
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The X-Files practically invented the term Unresolved Sexual Tension (UST), so if you like slow build-up, you'll get it. The Mulder/Scully relationship built up very slowly and really didn't get fully confirmed until the tenth and final season. If you decide to watch it, be sure to watch the first movie between the fifth and sixth season. It's integral to the relationship and includes the first absolute proof to us "shippers" that M/S had feelings beyond friendship for each other.
The X-Files, however, is primarily a science-fiction-ish show about paranormal phenomenon and global conspiracies. So you need to have some enjoyment of that sort of thing. Quote:
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Sheldon/Amy ღ Mulder/Scully ღ Peter/Olivia ღ Mac/Harm ღ Toby/Happy ღ Walter/Paige ღ Wylie/Vega </scorpion> ♣ Fringe ♣ The Mentalist "You said you were sad that you'd never see the stars again" - Sylvester Dodd ~Heidi |
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#247 | |||
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Well I suppose I'm not comparing them as ships, but comparing the situations! But still!
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#248 | |||
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Joined: Jul 2007
Posts: 55,338
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I liked the slow build up of Jane and Lisbon but I wish we'd gotten a bit more of "romantic clues" before they gotten together, that'd have made it more painful but I like it that way
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Because she has only said it when introducing him, once when she first met him and once when she said "Patrick Jane, you were trying to help me." So what I really want is a moment where she calls him Patrick. Just one Quote:
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#249 | |||
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Jane needed to say "I love you" to Lisbon. The part about not seeing her everyday was very sweet and romantic and just very, very Jane. But Lisbon (and the fans) needed to hear that simple and unequivocal "I love you". Nothing else, at that point, would have been enough to get Lisbon off the plane.
Further, I agree that, even though Jane shouting "I love that woman" to the rest of the plane was a bit OOC - if you think about it - the whole scene is a very OOC moment for Jane - and that's kind of the whole point. He's finally come to a personal epiphany that causes him to do some really crazy things - crazy even for Jane. I think those "out there" bits are part of what made it all hit home for Lisbon as well. As such, they were just as necessary to the scene and the story as "it makes me happy to be able to say that to you". They are part of a revelation that both characters needed to get to the point they are at by the end of the episode. __________________
Sheldon/Amy ღ Mulder/Scully ღ Peter/Olivia ღ Mac/Harm ღ Toby/Happy ღ Walter/Paige ღ Wylie/Vega </scorpion> ♣ Fringe ♣ The Mentalist "You said you were sad that you'd never see the stars again" - Sylvester Dodd ~Heidi |
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#250 | |||
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Yeah I'd have liked more clues. They'd talked in articles so much of how strange it feels to realize that the person you have been platonic with so long is someone you have fallen in love with. So I wish there had been some sort of acknowledgement of that.
I agree, Heidi, that everyone needed to hear the "I love you" bit despite it being a big moment for Jane, I still feel it was a bit OTT to then yell it at the entire plane. It worked for that scene but I hope next year is...well not as OTT as that scene was. But like you said Mai-my favorite part was his thing about not being able to wake up knowing with certaintythat sshe'd be a part of his day. __________________
I wanna go too far; I wanna go too fast. Somebody draw the line so I can blow right past. |
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#251 | |||
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Joined: Jul 2007
Posts: 55,338
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#252 | |||
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I think the reason I'm worried next season might have a similar feel is...I mean, let's be honest here, they thought they were cancelled when they wrote Blue Bird. They didn't know they were renewed until nine days before it aired and things were looking pretty bleak for a while. So they wanted to satisfy the fans as much as they could - and since they said season seven was going to be about satisfying the fans...I'm a bit scared. It was fine for Blue Bird because that was a very emotional, strained situation, but I hope they go back to the tone of the show for next year. __________________
I wanna go too far; I wanna go too fast. Somebody draw the line so I can blow right past. |
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#253 | |||
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I do find it interesting - and a cause for hope - that while Jane was going off the rails - character wise - in those scenes, Lisbon seems to be much more true to character. She gets emotional, of course - but in a restrained, Lisbon way. She apologizes and is slightly embarrassed by the scene that Jane is making. And she initially sticks to her decision and tells him that he is too late - another very Lisbon thing to do. For all that she has forgiven Jane innumerable times for innumerable things, Lisbon is not one to back down from a decision once she makes it. Then when she confronts him - and it is a confrontation, however romantic it may seem - she is still the no-nonsense, give-it-to-me-straight Lisbon. All that gives me hope that somehow, the writers understand that what will truly satisfy the fans is to see the real Jane and Lisbon in love; not some romanticized version of the characters that could Raspberry awards on Fanfiction.net. __________________
Sheldon/Amy ღ Mulder/Scully ღ Peter/Olivia ღ Mac/Harm ღ Toby/Happy ღ Walter/Paige ღ Wylie/Vega </scorpion> ♣ Fringe ♣ The Mentalist "You said you were sad that you'd never see the stars again" - Sylvester Dodd ~Heidi |
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#254 | |||
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Joined: Jul 2007
Posts: 55,338
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Agreed Heidi. I want to see Jane and Lisbon (as they are) in love. Of course they'd act a bit different in a relationship, but I want them to still be them. Well, Jane should be more honest, that's a given. But I think he's in the right path.
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#255 | |||
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I wanna go too far; I wanna go too fast. Somebody draw the line so I can blow right past. |
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