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Old 08-23-2012, 04:31 AM
  #76
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Old 08-23-2012, 03:02 PM
  #77
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OT3 Season 2 Favorite Scene Survivor

Rules: Vote for your LEAST FAVORITE scene by number.
The scene with the most number of votes at the end of each round will be eliminated.

~Round 5~


2x01A New Day In The Old Town

Scene 1



WALTER: (after inspecting her medical state) I'm so sorry, Olivia. (sniffles)


2x10 Grey Matters

Scene 5



THOMAS NEWTON: One minute, forty-five seconds. Come on Olivia.
PETER: (on phone) Olivia, please, you’ve got to get back here. I need your help.
THOMAS NEWTON: Make your choice -- me or Walter Bishop.
OLIVIA: Go to hell. (throws him her phone, runs back inside to Peter. to Peter) Give me your phone! (on Phone to Newton) Okay, you son of a bitch.
THOMAS NEWTON: Do you have the medical kit?
OLIVIA: Got it. Okay, tell me how to do this.
THOMAS NEWTON: Blue... Yellow... Red.
OLIVIA: Okay. Blue, yellow, red. (injects Walter)
THOMAS NEWTON: And, Olivia, now I know how weak you are. (runs away, hangs-up)
WALTER: (gasps awake) Peter... I have a terrible headache.. and a sudden craving for chicken wings.


2x12 What Lies Below

Scene 8



WALTER: (adminsters the antidote) You're going to be okay, Peter. Just rest, son. (later, after Peter revives) Son.
PETER: Thank you. All of you.
OLIVIA: You feeling better?
PETER: Olivia... I'm sorry.
OLIVIA: You weren't yourself.
PETER: It's lucky for me that you were. (Walter walks away distraught)


2x13 The Bishop Revival

Scene 9



WALTER: (driving up to the crime scene, distracted, chatty) I quite like weddings. Did I ever tell you about when your mother and I, God rest her soul, got married?
PETER: No, no, no. I think I missed that one. (jumps curb, hits trash bin) And try to stop driving with both feet. Walter, Walter! (stops)
WALTER: She was so beautiful, Peter. So beautiful in white. I won't deny I was never happier. I kept my tuxedo in the hope that one day I would have a son who would wear it. You could wear it on your wedding day. (walking from vehicle)
PETER: Yeah, you know, Walter? Tuxedo styles change.
WALTER: Oh, nonsense. Purple never goes out of style. And the day may come sooner than you think. Do you think she'll call me Dad?
PETER: Who?
WALTER: Agent Dunham.
PETER: My guess would be no. (approaching Olivia and Manning)
WALTER: Don't look at me like that. She's just what you need. Someone who can see right through you. Agent Dunham, don't you look lovely today? Doesn't she look lovely, Peter?
PETER: (flat, appeasing Walter) You look lovely, Agent Dunham.
WALTER: Doctor Walter Bishop. (shakes Manning's hand) How do you do?
OLIVIA: Lose a bet? (letting Walter drive the car)
PETER: It was either that or flying lessons.


2x14 Jacksonville

Scene 12



OLIVIA: Okay, so how do we stop it?
WALTER: That's the thing, Agent Dunham. We can't.
OLIVIA: Okay, then we need to evacuate the building. So how do we identify which building it's going to be?
WALTER: Well, the one thing that Belly and I learned from our experience is that when objects from the other universe cross to our side, they have an energy. Someone once described it as a glimmer. I believe that in the moments before the event when the fabric of the two universes is rubbing together, that the building on this side will begin to take on that glimmer.
PETER: So then we'd be able to see it?
WALTER: Well, unfortunately, no. It's not visible to the human eye.
PETER: Then how the hell are we going to find it, Walter?
WALTER: We can't, Peter! But you can, Agent Dunham.
OLIVIA: How can I see it?
WALTER: Because you saw it once before.


Scene 13



OLIVIA: Walter, when did I see things from the other side?
WALTER: Twenty-six years ago when you were a little girl. The Cortexiphan Trials. As I've said, the drug worked on perception. Of the thirty children that William Bell and I experimented on, you were the first with the ability to identify things from the other side. We gave you the ability.
PETER: Walter, you were conducting illegal drug trials on children. Don't make that sound like charity work.
OLIVIA: Was it me who described it as a glimmer? Well, I can't see it anymore.
WALTER: Because I believe you stopped wanting to. When you did, there were consequences, but I was able to elicit the ability once. I believe I may be able to do it again.
PETER: Don't be ridiculous. You're not experimenting on Olivia, and besides...
OLIVIA: ...Okay, I'll do it.
PETER: Olivia!
OLIVIA: We don't have time, so just tell me what it is I need to do.
WALTER: First, I need a plane. I need to go to Jacksonville to the lab where Belly and I first conducted the Cortexiphan Trials. It's a daycare center you attended as a child. I should be able to recreate the procedure there.
PETER: Walter, Jacksonville's a thousand miles away.
WALTER: It's a thousand sixteen to be exact, not counting the trip to the airport.
PETER: Look, Walter, I'm sure whatever you need, we can get it here.
WALTER: What I need is in Jacksonville! Jacksonville is where the process worked. If I am able to do it again, it has to be there.


Scene 14



OLIVIA: Is that Cortexiphan?
WALTER: Start the I.V. drip, please, and lift up.
PETER: You sure you want to do this?
WALTER: Oh, wait! Right arm. No, left arm, left arm. When you're under, the drugs will generate an obstacle. I can't tell you what it will be. It will be uniquely yours. Do you understand?
OLIVIA: I think so.
WALTER: It will make more sense when you're under. The point is this. That facing that obstacle will elevate your emotional state. Much as running on a treadmill will elevate your heartbeat. And then when I've got you to the proper level, well, then I'll pull you out, okay?
OLIVIA: I am singing in the rain.
WALTER: Oh. The drugs are working fast. Perhaps it was the right arm.
PETER: What?
WALTER: She'll be fine, Peter. Peter... would you turn that around? Thank you. Olivia, I want you to open your eyes. Olivia, can you hear me? If you can hear me, open your eyes. Where are you?
OLIVIA: I'm in a forest. I can see very tall trees.
WALTER: That's good. That's good, Olivia. Theta rhythms are normal. Stable neocortex active. It's working.
OLIVIA: There's someone else here.
PETER: Is she alright?
WALTER: No, but she's not supposed to be. In my bag, Peter.
PETER: Yeah?
WALTER: The pretzels.
PETER: Pretzels.


Scene 15



PETER: Hey.
OLIVIA: Hi.
PETER: Come on in. I know a great place. It's just a couple blocks away. I thought we'd walk.
WALTER: Agent Dunham.
PETER: I'll go get my coat.
WALTER: Olivia. Please don't tell him.


2x16 Olivia. In The Lab. With The Revolver.

Scene 16



OLIVIA: ...killing Cortexiphan kids? I don't know. I think we should wake up Walter.
PETER: That won't be necessary.
WALTER: (as the duo joins him in his kitchen) Agent Dunham. Peter. Is it morning already?
PETER: Oh, no. No, no. It's still the middle of the night.
OLIVIA: Walter, what is that smell?
WALTER: It's taffy. I'm making it for Peter.
PETER: I think she was probably referring to your other project.
OLIVIA: (as she scans a pizza-like object in the oven) Is that the killer's handprint?
WALTER: (candidly) I think we're close to getting a fingerprint. The papillary ridges on the forefingers are quite clear now. Once it's cooled a little, I should be able to run it through the scanner.


2x17 White Tulip

Scene 17



PETER: Noticed anything weird?
OLIVIA: Not yet, but give it ten minutes.
PETER: I was actually talking about Walter.
WALTER: (to agents already on the scene) Hello. I'm Doctor Walter Bishop.
PETER: He's been avoiding me all week. He didn't even look at me on the car ride over here. He's stopped eating. I got him a new box of Peak Freans. He hasn't even opened it.
OLIVIA: Well, did he say something?
PETER: No, all week it feels like he's been enveloped in this... sadness.
OLIVIA: I haven't noticed anything. (she continues ahead)


2x19 Brown Betty

Scene 18



FICTIONAL WALTER: Peter. Peter, please. I can change. I can fix the damage I've done. Please, give me another chance.
ELLA: (adding her ending to the tale) ...and Peter looked inside Walter's eyes and realized there was still goodness inside him. So Peter took his special heart, and with all his might, he split it in two. And the heart was so magical that it still worked. And together, they made goodness, and lived happily ever after. The End. (as Olivia returns to the lab) Aunt Liv! We had so much fun.


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Old 08-23-2012, 04:13 PM
  #78
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Old 08-23-2012, 11:48 PM
  #79
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Old 08-24-2012, 03:24 PM
  #80
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Old 08-24-2012, 04:09 PM
  #81
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Old 08-24-2012, 11:27 PM
  #82
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Old 08-24-2012, 11:44 PM
  #83
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Old 08-25-2012, 11:01 AM
  #84
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Old 08-25-2012, 02:35 PM
  #85
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OT3 Season 2 Favorite Scene Survivor

Rules: Vote for your LEAST FAVORITE scene by number.
The scene with the most number of votes at the end of each round will be eliminated.

~Round 5~


2x01A New Day In The Old Town

Scene 1



WALTER: (after inspecting her medical state) I'm so sorry, Olivia. (sniffles)


2x10 Grey Matters

Scene 5



THOMAS NEWTON: One minute, forty-five seconds. Come on Olivia.
PETER: (on phone) Olivia, please, you’ve got to get back here. I need your help.
THOMAS NEWTON: Make your choice -- me or Walter Bishop.
OLIVIA: Go to hell. (throws him her phone, runs back inside to Peter. to Peter) Give me your phone! (on Phone to Newton) Okay, you son of a bitch.
THOMAS NEWTON: Do you have the medical kit?
OLIVIA: Got it. Okay, tell me how to do this.
THOMAS NEWTON: Blue... Yellow... Red.
OLIVIA: Okay. Blue, yellow, red. (injects Walter)
THOMAS NEWTON: And, Olivia, now I know how weak you are. (runs away, hangs-up)
WALTER: (gasps awake) Peter... I have a terrible headache.. and a sudden craving for chicken wings.


2x12 What Lies Below

Scene 8



WALTER: (adminsters the antidote) You're going to be okay, Peter. Just rest, son. (later, after Peter revives) Son.
PETER: Thank you. All of you.
OLIVIA: You feeling better?
PETER: Olivia... I'm sorry.
OLIVIA: You weren't yourself.
PETER: It's lucky for me that you were. (Walter walks away distraught)


2x13 The Bishop Revival

Scene 9



WALTER: (driving up to the crime scene, distracted, chatty) I quite like weddings. Did I ever tell you about when your mother and I, God rest her soul, got married?
PETER: No, no, no. I think I missed that one. (jumps curb, hits trash bin) And try to stop driving with both feet. Walter, Walter! (stops)
WALTER: She was so beautiful, Peter. So beautiful in white. I won't deny I was never happier. I kept my tuxedo in the hope that one day I would have a son who would wear it. You could wear it on your wedding day. (walking from vehicle)
PETER: Yeah, you know, Walter? Tuxedo styles change.
WALTER: Oh, nonsense. Purple never goes out of style. And the day may come sooner than you think. Do you think she'll call me Dad?
PETER: Who?
WALTER: Agent Dunham.
PETER: My guess would be no. (approaching Olivia and Manning)
WALTER: Don't look at me like that. She's just what you need. Someone who can see right through you. Agent Dunham, don't you look lovely today? Doesn't she look lovely, Peter?
PETER: (flat, appeasing Walter) You look lovely, Agent Dunham.
WALTER: Doctor Walter Bishop. (shakes Manning's hand) How do you do?
OLIVIA: Lose a bet? (letting Walter drive the car)
PETER: It was either that or flying lessons.


2x14 Jacksonville

Scene 12



OLIVIA: Okay, so how do we stop it?
WALTER: That's the thing, Agent Dunham. We can't.
OLIVIA: Okay, then we need to evacuate the building. So how do we identify which building it's going to be?
WALTER: Well, the one thing that Belly and I learned from our experience is that when objects from the other universe cross to our side, they have an energy. Someone once described it as a glimmer. I believe that in the moments before the event when the fabric of the two universes is rubbing together, that the building on this side will begin to take on that glimmer.
PETER: So then we'd be able to see it?
WALTER: Well, unfortunately, no. It's not visible to the human eye.
PETER: Then how the hell are we going to find it, Walter?
WALTER: We can't, Peter! But you can, Agent Dunham.
OLIVIA: How can I see it?
WALTER: Because you saw it once before.


Scene 14



OLIVIA: Is that Cortexiphan?
WALTER: Start the I.V. drip, please, and lift up.
PETER: You sure you want to do this?
WALTER: Oh, wait! Right arm. No, left arm, left arm. When you're under, the drugs will generate an obstacle. I can't tell you what it will be. It will be uniquely yours. Do you understand?
OLIVIA: I think so.
WALTER: It will make more sense when you're under. The point is this. That facing that obstacle will elevate your emotional state. Much as running on a treadmill will elevate your heartbeat. And then when I've got you to the proper level, well, then I'll pull you out, okay?
OLIVIA: I am singing in the rain.
WALTER: Oh. The drugs are working fast. Perhaps it was the right arm.
PETER: What?
WALTER: She'll be fine, Peter. Peter... would you turn that around? Thank you. Olivia, I want you to open your eyes. Olivia, can you hear me? If you can hear me, open your eyes. Where are you?
OLIVIA: I'm in a forest. I can see very tall trees.
WALTER: That's good. That's good, Olivia. Theta rhythms are normal. Stable neocortex active. It's working.
OLIVIA: There's someone else here.
PETER: Is she alright?
WALTER: No, but she's not supposed to be. In my bag, Peter.
PETER: Yeah?
WALTER: The pretzels.
PETER: Pretzels.


Scene 15



PETER: Hey.
OLIVIA: Hi.
PETER: Come on in. I know a great place. It's just a couple blocks away. I thought we'd walk.
WALTER: Agent Dunham.
PETER: I'll go get my coat.
WALTER: Olivia. Please don't tell him.


2x16 Olivia. In The Lab. With The Revolver.

Scene 16



OLIVIA: ...killing Cortexiphan kids? I don't know. I think we should wake up Walter.
PETER: That won't be necessary.
WALTER: (as the duo joins him in his kitchen) Agent Dunham. Peter. Is it morning already?
PETER: Oh, no. No, no. It's still the middle of the night.
OLIVIA: Walter, what is that smell?
WALTER: It's taffy. I'm making it for Peter.
PETER: I think she was probably referring to your other project.
OLIVIA: (as she scans a pizza-like object in the oven) Is that the killer's handprint?
WALTER: (candidly) I think we're close to getting a fingerprint. The papillary ridges on the forefingers are quite clear now. Once it's cooled a little, I should be able to run it through the scanner.


2x17 White Tulip

Scene 17



PETER: Noticed anything weird?
OLIVIA: Not yet, but give it ten minutes.
PETER: I was actually talking about Walter.
WALTER: (to agents already on the scene) Hello. I'm Doctor Walter Bishop.
PETER: He's been avoiding me all week. He didn't even look at me on the car ride over here. He's stopped eating. I got him a new box of Peak Freans. He hasn't even opened it.
OLIVIA: Well, did he say something?
PETER: No, all week it feels like he's been enveloped in this... sadness.
OLIVIA: I haven't noticed anything. (she continues ahead)


2x19 Brown Betty

Scene 18



FICTIONAL WALTER: Peter. Peter, please. I can change. I can fix the damage I've done. Please, give me another chance.
ELLA: (adding her ending to the tale) ...and Peter looked inside Walter's eyes and realized there was still goodness inside him. So Peter took his special heart, and with all his might, he split it in two. And the heart was so magical that it still worked. And together, they made goodness, and lived happily ever after. The End. (as Olivia returns to the lab) Aunt Liv! We had so much fun.


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Old 08-25-2012, 10:38 PM
  #86
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Old 08-25-2012, 11:09 PM
  #87
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Old 08-26-2012, 12:07 AM
  #88
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Old 08-26-2012, 02:33 PM
  #89
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Old 08-26-2012, 04:36 PM
  #90
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i kind of want to vote #14, but in case no one else votes and there's a tie i'll say #5 : )
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