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#61 | |||
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Joined: Mar 2009
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True, the more i think about it the more, after a little confrontation at the start, laynie and hannah would probably hit it off. I did always like laynie.
I think we should all colaborate to get the stories done but i agree with Thief that we could, if we want, take on certain storylines by ourselves or do the same thing in teams of 2 if two people really want to work on the same storyline. ug... i guess the first thing to do would be to write down all the different storylines we have. I wish there was a way for us all to better communicate with each other to get this done. granted posting will still work but does anyone else have any ideas? |
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#62 | |||
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Joined: Sep 2001
Posts: 11,476
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Here are the major storylines that come to mind (and I'm probably forgetting something):
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music heard so deeply That it is not heard at all, but you are the music While the music lasts Last edited by Thief Of Love; 06-19-2009 at 07:34 PM |
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#63 | |||
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Joined: Mar 2009
Posts: 114
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ah thanks Thief you're the best!!! i'll try to tackle this some more tomorrow.
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#64 | |||
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Joined: May 2005
Posts: 20,789
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Yay, Steve's back to the thread! And is alive, hee.
Random thoughts: Laynie is so the dark Hannah. I don't exactly want to see us play that up much, but yeah, she can get really dark, and I do think that Hannah will be...kind of scared by her! Hee. So, I definitely like their first meeting being a little awkward. And since we don't have to worry about licensing issues, what about music for their common bond and connection? Hannah always listens to music, and although I'm not sure that Laynie exactly had the same taste as her, I remember her listening to music with Amy. Just a thought. Personally, I would like to see Laynie around for only a couple of episodes. Like *through out random number* three. Enough to see a Laynie/Hannah mini-friendship. In fact, although this is totally cliche-sounding, maybe she's the impetus for Amy and Hannah hanging out again? Amy and Hannah being a little distant is one of the seemingly endless ideas we've come up with, so maybe Laynie makes Amy see what she's missing? Yeah..cliche. Quote:
Oh, and I don't know if we've come up with this or not (everything I am saying right now could be all rehash or contradicting what we came up with because I'm so tired, heh) but it might be neat to have Rose be the one that gets Andy to talk to Amy. Since they're bonding, and Rose has always been so attentive to others and how they're feeling, she notices that her daughter is exhausted and has gone in over her head and won't pull back by herself, so she goes to see ol' Beardy. __________________
“[People] talk to me about these characters as if they’re real, and they’re not real, but they’ve become real...I really think, shows like this one, you have an attachment to them. They’re like friends you check in on."
-Greg Berlanti on Everwood |
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#65 | |||
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Joined: Sep 2001
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Quote:
Agreed on the short-term stint for her; we can determine specific number of episodes as we're plotting, but somewhere in the 2-3 range sounds about right. Do we know why she's there? Is she just home visiting her family? I'm sort of thinking that she might not be in college...she just strikes me as the type who, even if she started out there, would eventually decide to find her own path outside a scholastic setting. Plus, all our other young people are college students, which isn't entirely reflective of how all members of that age bracket do things (unless they post on this board, hee), so it might be realistic to have someone who, well, does something else instead. Quote:
Quote:
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music heard so deeply That it is not heard at all, but you are the music While the music lasts Last edited by Thief Of Love; 06-19-2009 at 11:56 PM |
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#66 | |||
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Joined: Sep 2001
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Oh, man. I've gotten myself so excited at the prospect of Hannah/Laynie that I wrote a scene last night.
*** HANNAH: I'm sorry if I'm being nervous and...weird. I...it's just that Amy tried getting me together with some of her friends from school awhile back, and it just... LAYNIE: Let me guess: activists who dine exclusively on ethnic cuisine and applaud themselves for their "bohemian" interests and liberal values, because without the safety net of rebellion against middle-class white bread America, their lives would be utterly devoid of hope or meaning? HANNAH:...So you've met Beth? (both laugh) LAYNIE: God, they're as cultish as cheerleaders. Which 80% of them probably were, like, two years ago, by the way. *** Well, I didn't say it was any good. __________________
music heard so deeply That it is not heard at all, but you are the music While the music lasts |
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#67 | |||
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Joined: Feb 2008
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Quote:
That is really excellent! I can just hear Laynie saying those words. That's exactly how she thinks and exactly how she sounds. |
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#68 | |||
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Joined: May 2005
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Hee, I LOVE the "...so you've met Beth?" joke. And yeah, Betty's right: you've got Laynie down. Which is actually not as easy as it looks, because her snark is typically more blunt than someone like Hannah's would be.
At the end of Laynie's little guest run, depending on when this takes place in the season, maybe she sees that Amy is exhausted and run down, and she asks Hannah to keep an eye out for her? Just something protective. Ultimately, I think they're going to talk about Amy, and how both never saw themselves at being friends with her, but how she ended up being a great friend and all that. I mean, less sappy, hee, but ultimately I think Laynie's purpose coming in has to be about pushing Amy and Hannah together again, or else she really doesn't have a purpose. Which is why I really like your idea about Amy's outburst, Thief. A different way to go than the cliche I was thinking of, but it still means that Laynie contributes something to the season. And before anyone thinks that Thief and I are going to go nuts choosing music for Laynie/Hannah, hee, it's really just to get them talking, noticing that they do have something cool in common. I even imagine Laynie walking into Amy and Hannah's place (they are living together, right?) and checking out some CDs and being surprised at what Amy is listening to, and then Hannah, in a quiet voice, says that they're hers. That's after their awkward first meeting of course. Well, I'm back in an idea mood, but I have to admit that I suck at summaries, so I'm not sure how involved I'll get with those. *suddenly feels like a slacker* __________________
“[People] talk to me about these characters as if they’re real, and they’re not real, but they’ve become real...I really think, shows like this one, you have an attachment to them. They’re like friends you check in on."
-Greg Berlanti on Everwood |
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#69 | |||
Master Fan
Joined: Sep 2001
Posts: 11,476
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Quote:
I'm so ready to just keep working on ideas instead of having to make up any more timelines, heh. This is more fun! This is what makes it feel like we're actually getting somewhere! What I might do, though, is compile a list of the characters we're bringing back and noting what the story-advancing purpose of each character's return will be. It's not quite as necessary as the summaries and timelines, but it will help us to ensure that we're bringing everyone back for a reason. __________________
music heard so deeply That it is not heard at all, but you are the music While the music lasts |
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#70 | |||
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Joined: Sep 2001
Posts: 11,476
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New summary!
The Feeney/Brown Household Delia's stuff isn't included in here... I went through the last thread, and man, does she have a lot of story. Saved all the posts, but it's going to be a bit of a trick getting the ideas into a timeline format, since it's more like random short plots -- going out with a boy for the first time, wanting to learn more about Julia, etc. And babysitting for the Abbotts, which reconnects her with Amy. Oh, and random dialogue thought, but if we're having Hannah meet up with Topher, I really really really want to adapt one of my favorite one-liners from Friends: BRIGHT: [complains about Hannah going out with Topher/Loafer/Shasta McSpastic/asshat] EPHRAM: Huh, it's suddenly 2005. Guess my, uh, time machine works. (Thanks, Chandler. ) __________________
music heard so deeply That it is not heard at all, but you are the music While the music lasts |
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#71 | |||
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Joined: May 2005
Posts: 20,789
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Hee, that sounds like it would be really funny! Tuck that into the "Will Go In An Episode" file, definitely.
I've been thinking of adapting a Friends line as well. With Andy, Harold and sometimes Ephram becoming a little group so that Andy can get some help with marriage, I envision Andy taking Ephram's side on something, and Harold doing a variation on Monica's line of "Married a lesbian, left a man at the altar, fell in love with a gay ice dancer, threw a girl's wooden leg in a fire, live in a box!" Of course, I don't know what the variation would be, and there's only two people for him to say it too, but Andy and Ephram have had enough relationship failings for it to somehow work. As you can see, I'm still in odd idea mode. Even Harold going, "You screwed up your own marriage, and you're about to take advice from your 19 year old son who has been in TWO relationships instead of a man with 30 years of experience in marriage?" I just imagine Harold being Mr. Marriage and being all cocky about it, hee, because he is an amazing husband, someone that Andy should aspire to be. And I agree with the Velvet Underground as well, by the way, I just wanted to reassure people that we're not going to get too nerdy about the music. Yet. And eee, the Feeney/Brown household!! My personal favourite storyline, because it's the thing I desperately wanted to see. And because it's so bloody easy, hee. Thanks, Thief! __________________
“[People] talk to me about these characters as if they’re real, and they’re not real, but they’ve become real...I really think, shows like this one, you have an attachment to them. They’re like friends you check in on."
-Greg Berlanti on Everwood Last edited by 'Tos; 06-20-2009 at 09:07 PM |
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#72 | |||
Master Fan
Joined: Sep 2001
Posts: 11,476
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That will be a great line, hee. Whatever it will end up being, exactly. It's kind of tricky for Harold to snark on them given that Andy dated his sister and Ephram his daughter, though. (Doesn't mean it wouldn't be even more hilarious for all that.)
And, you're welcome, heh. I think I've run out of any more to do except for figuring out Delia's, since Leo's got Amy, and Ephram/Amy can be taken by someone else whenever it finally gets figured out. (All of which is probably for the best anyway, hee.) I do need to revise what's already been done, though, and...actually, I might just make a Hannah-only timeline, after all. Wasn't going to initially, but now with the college talk with Topher and the friendship with Laynie, she merits one. Oh, more stuff -- I've started compiling a soundtrack list, with songs we've suggested (and links to those songs on YouTube when I can find 'em) and artists we'd like to use, but haven't chosen specific songs of yet. I'm also going to start an entry for all the dialogue snippets we've come up with; there were a few good Bright/Ephram exchanges in the first thread (Leo had a particularly awesome one regarding Ephram fretting about Delia dating), and then a few other character exchanges posted here, so it'd be good to get those all in one place so we can use them if we want to in the actual scriptwriting. __________________
music heard so deeply That it is not heard at all, but you are the music While the music lasts |
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#73 | |||
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Joined: Feb 2008
Posts: 61,435
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I'm just reading and enjoying. Keep up the good work everyone....I'll just let the experts handle all of this.
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#74 | |||
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Joined: Sep 2001
Posts: 11,476
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Hee. I think we're all on the same level of expertise (unless Steve has a secret screenwriting career that we don't know about? )
Bringing this over from the OT thread... Quote:
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music heard so deeply That it is not heard at all, but you are the music While the music lasts |
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#75 | |||
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Joined: May 2005
Posts: 20,789
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I don't actually have any new ideas, so I'm sure I'm just cluttering this thread up, hee, but I REALLY love our idea to have Edna mourn Irv throughout the season. How the show handled the deaths of characters really was something unique. Andy takes well over a season to even remotely "get over" Julia's death, and she keeps coming back in stories and in characters' minds all throughout the series. Amy takes almost a full season to even remotely "get over" Colin's death, and Bright, Amy, Ephram and Harold reference him long before he's gone. So, similar to those cases, I'm really pleased that we're devoting a whole season to Edna mourning Irv. I don't think we should have him appear in ghost form again like Julia and Colin did--frankly, there's no way we can top his "Goodbye, Love" appearance--but having a character that doesn't mourn, mourn for a whole entire season, is really holding true to what the show did for four years with death.
ETA: As for Father's Day, I really liked your idea about Sam being confused. And it would be a nice contrast having Ephram treat his father so well, and Sam not wanting to have anything to do with him. __________________
“[People] talk to me about these characters as if they’re real, and they’re not real, but they’ve become real...I really think, shows like this one, you have an attachment to them. They’re like friends you check in on."
-Greg Berlanti on Everwood |
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