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#16 | |||
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I never noticed that about the lobster dinner
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#17 | |||
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Funny - because that lobster dinner is the one thing I noticed - and wondered about - the very first time I watched the pilot.
I think I actually discussed that before and came to the conclusion that Jane is apparently pretty well off, and maybe to appease Lisbon, he treated the team to an upscale experience. __________________
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#18 | |||
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That makes sense spoiling under the guise of the team
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#19 | |||
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It's interesting how they set up the Rigsby/Van Pelt romance right from the start.
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#20 | |||
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Yeah and the frog
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#21 | |||
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I can see that the frog would give people the impression right away that Jane was sweet on Lisbon.
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#22 | |||
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That hooked me I mean here's this guy who is so drenched in guilt and revenge that he knew he messed up and wanted to make her smile
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#23 | |||
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I know. It was a great way to show that, despite what he went through, he could still want to make someone smile. It also makes the following scene so much more poignant - where he goes home and sits under the Red John sign.
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#24 | |||
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My point exactly that's why his happy ending was so profound
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#25 | |||
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I should watch the Pilot and then immediately watch White Orchids - just to see the contrast.
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#26 | |||
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Another thing I loved is this goes for both seabones and jisbon for people who had no faith to find faith in someone was awesome
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#27 | |||
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I never thought about that - but that is another good parallel between Bones and The Mentalist.
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#28 | |||
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It was the good girl that made the bad boy a knight in shining armor
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#29 | |||
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Would you consider Bones a "good girl"? Or is it more the opposite - the good boy made the bad girl a princess?
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#30 | |||
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The opposite
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