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#62 | |||
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1 - Olivia
2 - Neither 3 - Broyles __________________
“It takes nothing away from a human to be kind to an animal” -- Joaquin Phoenix Icon: ridemytardis |
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#63 | |||
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Broyles and Olivia Season One Survivor - Part One Pilot Scene 1 OLIVIA: Please tell me that terminal's shut down. BROYLES: It's been down since 4:00 local time. You got any more questions? OLIVIA: Who's point from CDC on the bone tissue and air sample? BROYLES: Agent Paley. You want his home number? OLIVIA: No, but I'd like the whole report, and not just this fax, claiming that there's no matches... BACKGROUND: ...to any known pathogens or airborne viruses. BROYLES: We're on that too, Liaison. We don't think what happened on that plane was a result of the in-flight movie. BROYLES: Liaison, take it. Go find out. OLIVIA: Take what? That? You're telling me that's my assignment? BROYLES: Yeah, Honey, would you mind? Scene 2 OLIVIA: It's me. Liaison. I found a connection between the Hamburg flight and what's happened to Agent Scott. His name is Walter Bishop. He's a scientific researcher from Cambridge born in '46. Harvard educated post-grad at Oxford and MIT. Look at the experiments he was doing in the seventies. I believe Dr. Bishop might have information that might tell us what happened aboard that plane and save Agent Scott's life. BROYLES: It says the guy has been at St. Claire's for 17 Years. OLIVIA: I saw that. An assistant was killed in his lab. Rumors about Dr. Bishop using humans as guinea pigs. He was charged with manslaughter, but was deemed mentally unfit to stand trial. BROYLES: Why are you so sure Bishop's worth our time? OLIVIA: Why are you so sure he's not? BROYLES: Listen, Dunham. You and I got off on a wrong foot. OLIVIA: If my past job performance as US Marine Special Investigator offends you... BROYLES: Well, Yeah. It does. A man who serves his country for 30 Years has a few drinks and small lapse of judgment does not deserve five years... OLIVIA: A small lapse in judgment that will haunt three young women for the rest of their lives. BROYLES: But that's not tonight's business, is it? Look, DC has tasked me to make sure that our reaction to Flight 627 is beyond reproach. Now, it says here, in 1991, the glorious State of Massachusetts forbade Dr. Bishop from having any visitors, with the exception of immediate family. So, from where I sit, barging into a mental institution, waving the Patriot Act, which is what you need, and demanding face-time with some old lab rat, who you think might be behind some of the most terrifying terror that I can possibly imagine ... OLIVIA: I'm coming to you with a solid lead and your personal resentment is preventing you... BROYLES: And you're wasting your breath and my time. Do you understand "immediate family?" You want to question Dr. Bishop, you go find his next of kin and have him escort you in. Talk to Bishop, uncover something substantial and I will have your back. Until then, I am not so convinced. Now, can you handle that? OLIVIA: He does have a son. BROYLES: Is his son a local too? OLIVIA: Not exactly. Scene 3 BROYLES: Liaison. When did you get back? OLIVIA: I need your help. I want you to know I've successfully had Dr. Walter Bishop released from St. Claire's and he requires the use of his old laboratory. BROYLES: I'm sorry. What? OLIVIA: Kresge Building, Harvard, basement. BROYLES: It would be nice, to think that your tenacity in this case is a byproduct of a remarkable and robust professionalism. But I can't help but wonder, if it wasn't something going on between you and Agent Scott. OLIVIA: Get the lab for Bishop. Scene 4 BROYLES: So, I got the lab. OLIVIA: Yeah, I know you did. Thanks. BROYLES: How's it going downstairs? OLIVIA: Bishop says it'll be a while, but that it's looking "auspicious." That was his word... What? BROYLES: You've done some solid work here. Locating Bishop. Getting him out, finding a way to get him to work with you. We're impressed. OLIVIA: Who's we? BROYLES: What happened on that plane might be part of something more dangerous than simple terrorism. OLIVIA: Simple terrorism? BROYLES: In the past nine months, there'd been three dozen authenticated incidents like the Hamburg flight. Most of what I'm about to show you has not been made public. John Thompson, normal kid. Went missing back in '98. Reappeared last month half way around the world, hadn't aged a day. In the past few months, 46 other children who went missing that same year turn up. Same story. Local fishermen off the coast of Sri Lanka. Reports a low flying plane emitting a high pitched frequency that blows out all their windows. An hour later, same spot, an 8.7 subsurface earthquake creates a tsunami that kills 38,000 people. OLIVIA: So why are you telling me this? BROYLES: This man. A patient in Lisbon who woke up after years in a coma. Began writing, just numbers. They turn out to be exact real time coordinates of our Carrier Battle Groups in the Pacific. Intel that's classified above Top Secret. OLIVIA: So how is that even possible? BROYLES: Come work for me and I'll get you the clearance... OLIVIA: Stop! BROYLES: Dunham, there is more you need to hear. OLIVIA: You must not have heard me, I said stop. BROYLES: They're calling these events "The Pattern." As if someone out there is experimenting, only the whole world is their lab. You've seen it now. You know. OLIVIA: I don't want to know. I have a job. BROYLES: This is a more important job. Anything, anybody you need you can have. OLIVIA: I like the job I've got. And the man I do it with, which you seem have deduced on your own. BROYLES: Look around. You see all these people going about their lives? No idea what's happening around them and what they're in the middle of? OLIVIA: I just want to go back to before. BROYLES: Dunham, I don't think you can. The Same Old Story Scene 5 BROYLES: I have reservations about asking Massive Dynamic for a favor. The corporate mind always looks for quid pro quo. OLIVIA: Can I ask you a question? BROYLES: Of course. OLIVIA: Before he died, Agent Scott suggested that this was more than a coincidence that you recruited me for this assignment. BROYLES: Agent Dunham... do you mind if I ask you a personal question about you and Agent Scott? The very last time you were... intimate... were you safe? You weren't, were you? Scene 6 BROYLES: Certain private individuals have been granted clearance regarding ‘The Pattern’ – including Nina Sharp. But that clearance is limited. OLIVIA: I understand. Sure, but, uh... I'm not clear on what you're getting at. BROYLES: When you were with her, did she share anything with you? Did she mention the pattern? Did she comment or ask you anything about the details of your investigation? OLIVIA: Yeah, she did. She said you were a good man. BROYLES: And that was it? OLIVIA: She offered me a job. BROYLES: And what did you say to that? OLIVIA: I told her you were gonna give me a raise. The Ghost Network Scene 7 OLIVIA: Can we, uh... talk a moment? BROYLES: Go ahead. OLIVIA: Nina Sharp just told me that this isn't the first time that material from the bus has been used. BROYLES: I'd normally be skeptical of anything coming from Nina but in this case, she's correct. OLIVIA: So what? I don't even have clearance to know background on a case I'm investigating? BROYLES: Agent Dunham, if I'm not always completely transparent with you there's a reason: this little task force that you and I call our day job now. It sometimes requires some... shall we say bureaucratic maneuvering to keep it alive and free from political meddling… which means… sometimes I don't tell you everything for your own protection. OLIVIA: With all due respect, that's not good enough. I've been trained for a lot - hostage crises, terror campaigns, suicide bombers, chemicals attacks, but, you know the things I have seen since I started working for you... If I'm gonna do this job, I need to know what it is I'm dealing with. BROYLES: And you will. When you're ready. Till then I suppose you'll need to trust me. Scene 8 BROYLES: Do you ever smile, Dunham? We I.D.'d the shooter. Matthew Ziegler. When we ran his fingerprints, he popped up on two other pattern-related cases. We're digging into his financials, travel records. Linkage, Dunham. Not only can we now put a face to these people, but we know they're communicating. And how. I'd say that's an impressive day's work. Which brings me to this. OLIVIA: What is it? BROYLES: Of all the models in Roy's apartment, three of them are incidents that we haven't been aware of. OLIVIA: Pattern cases? BROYLES: It would seem so. Take a look. If you want. Let me know if you have any thoughts. OLIVIA: I'll do that. BROYLES: I'll see you tomorrow. Power Hungry Scene 9 BROYLES: Here. (delivers coffee) OLIVIA: Thanks. BROYLES: I thought you left hours ago. OLIVIA: I could say the same about you. BROYLES: What are you reading? "Neural distortion in human subjects." And what's all this for? OLIVIA: I'm just trying to wrap my head around an idea Walter had. He believes that it may be a person who was responsible for the Herndon incident. Not a person wielding some kind of device. A person who has somehow developed the ability to affect, or maybe even control, electrical devices. BROYLES: And I suppose the good doctor has a theory how that's possible. Scene 10 BROYLES: Our team is still cataloging all the files that we found in the cellar. Apparently John Scott was conducting his own investigations. OLIVIA: Did the files give any indication of who he might've been working for? BROYLES: Not that we can see. But it appears that many of the cases were Pattern-related. OLIVIA: He knew about 'The Pattern'? BROYLES: He also knew about our friend Dr. Fischer. In fact, he knew quite a bit more than we did. Including seven other potential Josephs that Fischer was subjecting to treatments. Fortunately, none of them had activated yet. We were able to locate all seven. Medical services is examining them now, but they appear to be fine - thanks to you. Fischer's still refusing to cooperate, but I suspect six weeks in solitary might change his mind. OLIVIA: Well, I hope you're right about that. BROYLES: And there was also something else. (puts a metal container on the table) - John Scott's personal effects. It would seem some of them were intended for you. The Cure Scene 11 BROYLES: Dunham. OLIVIA: Hey. BROYLES: I understand you paid a little visit to David Esterbrook. OLIVIA: Well news travels fast, I was just about to type up the report - - BROYLES: In public… in a hotel bar. OLIVIA: I didn’t realize my interview techniques were under such close scrutiny. BROYLES: Everything we do is under close scrutiny. This task force that you’re now part of, at best… it’s controversial. We need to be perfect. Trying to intimidate such a high-profile suspect in a murder investigation is reckless, at best. OLIVIA: Claire Williams is a prisoner right now, having god knows what injected into her body. And David Esterbrook knows where she is. He’s guilty. And he just assumes he’ll get away with it. So excuse me, but right now, I couldn’t give a damn about politics. BROYLES: Which is exactly your problem, and now mine. You think you’re the only one who wants to find Claire Williams? Meanwhile you violated the cardinal law of our profession. You let your feelings drive your decision-making. And as a result, you’ve endangered not only Claire Williams’ life, but everything we’re trying to do here. If I can’t trust you to control your own passion, Dunham, then I can’t trust you... Is that clear? OLIVIA: You’ll have my report on the Esterbrook interview within the hour. BROYLES: I’ll be waiting. OLIVIA: Is there anything else you’d like me to run past you? BROYLES: Not anything. Everything. __________________
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#64 | |||
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#10
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“It takes nothing away from a human to be kind to an animal” -- Joaquin Phoenix Icon: ridemytardis |
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#65 | |||
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#5
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#66 | |||
Total Fan
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__________________
“It takes nothing away from a human to be kind to an animal” -- Joaquin Phoenix Icon: ridemytardis |
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#69 | |||
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Joined: Apr 2011
Posts: 125,259
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Thanks for the new Survivor!
#10 __________________
OITNB: 1 season left |
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#70 | |||
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Joined: Mar 2008
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And here we go again, another tie
Betty, break it this time. Next it's Amy, Lia and I. __________________
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#71 | |||
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Great idea.
#10 __________________
OITNB: 1 season left |
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#72 | |||
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Joined: Oct 2002
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^ Good idea Sofia.
Broyles and Olivia Season One Survivor - Part One Pilot Scene 1 OLIVIA: Please tell me that terminal's shut down. BROYLES: It's been down since 4:00 local time. You got any more questions? OLIVIA: Who's point from CDC on the bone tissue and air sample? BROYLES: Agent Paley. You want his home number? OLIVIA: No, but I'd like the whole report, and not just this fax, claiming that there's no matches... BACKGROUND: ...to any known pathogens or airborne viruses. BROYLES: We're on that too, Liaison. We don't think what happened on that plane was a result of the in-flight movie. BROYLES: Liaison, take it. Go find out. OLIVIA: Take what? That? You're telling me that's my assignment? BROYLES: Yeah, Honey, would you mind? Scene 2 OLIVIA: It's me. Liaison. I found a connection between the Hamburg flight and what's happened to Agent Scott. His name is Walter Bishop. He's a scientific researcher from Cambridge born in '46. Harvard educated post-grad at Oxford and MIT. Look at the experiments he was doing in the seventies. I believe Dr. Bishop might have information that might tell us what happened aboard that plane and save Agent Scott's life. BROYLES: It says the guy has been at St. Claire's for 17 Years. OLIVIA: I saw that. An assistant was killed in his lab. Rumors about Dr. Bishop using humans as guinea pigs. He was charged with manslaughter, but was deemed mentally unfit to stand trial. BROYLES: Why are you so sure Bishop's worth our time? OLIVIA: Why are you so sure he's not? BROYLES: Listen, Dunham. You and I got off on a wrong foot. OLIVIA: If my past job performance as US Marine Special Investigator offends you... BROYLES: Well, Yeah. It does. A man who serves his country for 30 Years has a few drinks and small lapse of judgment does not deserve five years... OLIVIA: A small lapse in judgment that will haunt three young women for the rest of their lives. BROYLES: But that's not tonight's business, is it? Look, DC has tasked me to make sure that our reaction to Flight 627 is beyond reproach. Now, it says here, in 1991, the glorious State of Massachusetts forbade Dr. Bishop from having any visitors, with the exception of immediate family. So, from where I sit, barging into a mental institution, waving the Patriot Act, which is what you need, and demanding face-time with some old lab rat, who you think might be behind some of the most terrifying terror that I can possibly imagine ... OLIVIA: I'm coming to you with a solid lead and your personal resentment is preventing you... BROYLES: And you're wasting your breath and my time. Do you understand "immediate family?" You want to question Dr. Bishop, you go find his next of kin and have him escort you in. Talk to Bishop, uncover something substantial and I will have your back. Until then, I am not so convinced. Now, can you handle that? OLIVIA: He does have a son. BROYLES: Is his son a local too? OLIVIA: Not exactly. Scene 3 BROYLES: Liaison. When did you get back? OLIVIA: I need your help. I want you to know I've successfully had Dr. Walter Bishop released from St. Claire's and he requires the use of his old laboratory. BROYLES: I'm sorry. What? OLIVIA: Kresge Building, Harvard, basement. BROYLES: It would be nice, to think that your tenacity in this case is a byproduct of a remarkable and robust professionalism. But I can't help but wonder, if it wasn't something going on between you and Agent Scott. OLIVIA: Get the lab for Bishop. Scene 4 BROYLES: So, I got the lab. OLIVIA: Yeah, I know you did. Thanks. BROYLES: How's it going downstairs? OLIVIA: Bishop says it'll be a while, but that it's looking "auspicious." That was his word... What? BROYLES: You've done some solid work here. Locating Bishop. Getting him out, finding a way to get him to work with you. We're impressed. OLIVIA: Who's we? BROYLES: What happened on that plane might be part of something more dangerous than simple terrorism. OLIVIA: Simple terrorism? BROYLES: In the past nine months, there'd been three dozen authenticated incidents like the Hamburg flight. Most of what I'm about to show you has not been made public. John Thompson, normal kid. Went missing back in '98. Reappeared last month half way around the world, hadn't aged a day. In the past few months, 46 other children who went missing that same year turn up. Same story. Local fishermen off the coast of Sri Lanka. Reports a low flying plane emitting a high pitched frequency that blows out all their windows. An hour later, same spot, an 8.7 subsurface earthquake creates a tsunami that kills 38,000 people. OLIVIA: So why are you telling me this? BROYLES: This man. A patient in Lisbon who woke up after years in a coma. Began writing, just numbers. They turn out to be exact real time coordinates of our Carrier Battle Groups in the Pacific. Intel that's classified above Top Secret. OLIVIA: So how is that even possible? BROYLES: Come work for me and I'll get you the clearance... OLIVIA: Stop! BROYLES: Dunham, there is more you need to hear. OLIVIA: You must not have heard me, I said stop. BROYLES: They're calling these events "The Pattern." As if someone out there is experimenting, only the whole world is their lab. You've seen it now. You know. OLIVIA: I don't want to know. I have a job. BROYLES: This is a more important job. Anything, anybody you need you can have. OLIVIA: I like the job I've got. And the man I do it with, which you seem have deduced on your own. BROYLES: Look around. You see all these people going about their lives? No idea what's happening around them and what they're in the middle of? OLIVIA: I just want to go back to before. BROYLES: Dunham, I don't think you can. The Same Old Story Scene 5 BROYLES: I have reservations about asking Massive Dynamic for a favor. The corporate mind always looks for quid pro quo. OLIVIA: Can I ask you a question? BROYLES: Of course. OLIVIA: Before he died, Agent Scott suggested that this was more than a coincidence that you recruited me for this assignment. BROYLES: Agent Dunham... do you mind if I ask you a personal question about you and Agent Scott? The very last time you were... intimate... were you safe? You weren't, were you? Scene 6 BROYLES: Certain private individuals have been granted clearance regarding ‘The Pattern’ – including Nina Sharp. But that clearance is limited. OLIVIA: I understand. Sure, but, uh... I'm not clear on what you're getting at. BROYLES: When you were with her, did she share anything with you? Did she mention the pattern? Did she comment or ask you anything about the details of your investigation? OLIVIA: Yeah, she did. She said you were a good man. BROYLES: And that was it? OLIVIA: She offered me a job. BROYLES: And what did you say to that? OLIVIA: I told her you were gonna give me a raise. The Ghost Network Scene 7 OLIVIA: Can we, uh... talk a moment? BROYLES: Go ahead. OLIVIA: Nina Sharp just told me that this isn't the first time that material from the bus has been used. BROYLES: I'd normally be skeptical of anything coming from Nina but in this case, she's correct. OLIVIA: So what? I don't even have clearance to know background on a case I'm investigating? BROYLES: Agent Dunham, if I'm not always completely transparent with you there's a reason: this little task force that you and I call our day job now. It sometimes requires some... shall we say bureaucratic maneuvering to keep it alive and free from political meddling… which means… sometimes I don't tell you everything for your own protection. OLIVIA: With all due respect, that's not good enough. I've been trained for a lot - hostage crises, terror campaigns, suicide bombers, chemicals attacks, but, you know the things I have seen since I started working for you... If I'm gonna do this job, I need to know what it is I'm dealing with. BROYLES: And you will. When you're ready. Till then I suppose you'll need to trust me. Scene 8 BROYLES: Do you ever smile, Dunham? We I.D.'d the shooter. Matthew Ziegler. When we ran his fingerprints, he popped up on two other pattern-related cases. We're digging into his financials, travel records. Linkage, Dunham. Not only can we now put a face to these people, but we know they're communicating. And how. I'd say that's an impressive day's work. Which brings me to this. OLIVIA: What is it? BROYLES: Of all the models in Roy's apartment, three of them are incidents that we haven't been aware of. OLIVIA: Pattern cases? BROYLES: It would seem so. Take a look. If you want. Let me know if you have any thoughts. OLIVIA: I'll do that. BROYLES: I'll see you tomorrow. Power Hungry Scene 9 BROYLES: Here. (delivers coffee) OLIVIA: Thanks. BROYLES: I thought you left hours ago. OLIVIA: I could say the same about you. BROYLES: What are you reading? "Neural distortion in human subjects." And what's all this for? OLIVIA: I'm just trying to wrap my head around an idea Walter had. He believes that it may be a person who was responsible for the Herndon incident. Not a person wielding some kind of device. A person who has somehow developed the ability to affect, or maybe even control, electrical devices. BROYLES: And I suppose the good doctor has a theory how that's possible. The Cure Scene 11 BROYLES: Dunham. OLIVIA: Hey. BROYLES: I understand you paid a little visit to David Esterbrook. OLIVIA: Well news travels fast, I was just about to type up the report - - BROYLES: In public… in a hotel bar. OLIVIA: I didn’t realize my interview techniques were under such close scrutiny. BROYLES: Everything we do is under close scrutiny. This task force that you’re now part of, at best… it’s controversial. We need to be perfect. Trying to intimidate such a high-profile suspect in a murder investigation is reckless, at best. OLIVIA: Claire Williams is a prisoner right now, having god knows what injected into her body. And David Esterbrook knows where she is. He’s guilty. And he just assumes he’ll get away with it. So excuse me, but right now, I couldn’t give a damn about politics. BROYLES: Which is exactly your problem, and now mine. You think you’re the only one who wants to find Claire Williams? Meanwhile you violated the cardinal law of our profession. You let your feelings drive your decision-making. And as a result, you’ve endangered not only Claire Williams’ life, but everything we’re trying to do here. If I can’t trust you to control your own passion, Dunham, then I can’t trust you... Is that clear? OLIVIA: You’ll have my report on the Esterbrook interview within the hour. BROYLES: I’ll be waiting. OLIVIA: Is there anything else you’d like me to run past you? BROYLES: Not anything. Everything. __________________
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#73 | |||
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#5
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#5
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#75 | |||
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