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Old 10-10-2008, 03:40 PM
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Paul W.S. Anderson Appreciation #1

Paul W.S. Anderson Appreciation Thread #1



The Director and Producer of notable films such as Shopping, Mortal Kombat, Soldier (a informal sequel film whose story is set in the "Blade Runner" universe), Event Horizon, Alien vs. Predator, and the Resident Evil trilogy, Paul Anderson is infamous for catching the irrational ire of Fanboys since the RE and Alien/Predator Franchise, though he is a fan himself of same of the material he's directed. He employs Jason Issacs and Colin Salmon in several of his films and to top it all off, he engaged to Russian-Ukrainian-Serbian Beauty Milla Jovovich.

Anderson graduated from the University of Warwick as the youngest student to achieve a BA in Film & Literature. He made his debut as the writer-director of Shopping, which starred Sean Pertwee, Jude Law and Sadie Frost as thieves who smashed cars into storefronts. When released in the United Kingdom it was banned in some cinemas, and only gained a release in the United States as an edited, direct to video release.

After this, he directed the successful 1995 video game adaptation Mortal Kombat. While prior video game movies, like Street Fighter and Super Mario Bros., had been all-out disasters, Mortal Kombat was well received by fans, and some critics. He declined to direct the sequel, Mortal Kombat: Annihilation which was not well received by critics or fans, but he directed Soldier instead. Anderson was asked to direct a third movie, Mortal Kombat: Devastation, but declined again.

The success of Mortal Kombat gave Anderson free rein to choose his next project, Soldier, written by Blade Runner screenwriter David Webb Peoples. Intended as a Sidequel to Blade Runner, the movie was set in the same universe (but not the same planet), and contained numerous references to Blade Runner. Kurt Russell was attached to star, but was unavailable at the time, which delayed the production. In the meantime, Anderson made Event Horizon, which took the premise of the classic sci-fi novel and film Solaris, but filled it with Hellraiser-style horror scenes. The film was poorly received at the box office, and Anderson blamed the failure on studio-enforced cuts. While not a box-office success, the film gained a small cult following.

Soldier was eventually completed and released in 1998, and was a disaster both commercially and critically.

After the poor performance of both Event Horizon and Soldier, Anderson was forced to think smaller. His planned remake of the cult film Death Race 2000 was put on hold, and he set about writing and directed a TV movie, The Sight, in 2000. It was a minor success, and Anderson returned to cinema screens in 2002 when he wrote and directed an adaptation of the survival horror series Resident Evil. It was at this point that, to avoid confusion to the American director Paul Thomas Anderson, he began to credit himself as "Paul W. S. Anderson."

Working with a moderate budget in comparison to his other movies, Resident Evil was a commercial success in cinemas and on DVD, prompting Anderson to write (but not direct) the sequels, Resident Evil: Apocalypse and Resident Evil: Extinction.

Anderson's next project was the much-anticipated Alien vs. Predator, a concept popularized by a series of Dark Horse Comics and later hinted at in Predator 2. A movie version had been stuck in development for years despite the franchise crossing into every other form of media, from books to comics to video games. The fact Alien vs. Predator was being made at all was enough to get many fans of the originals onboard from the second the project was greenlighted. Some, however, were unhappy with the choice of Anderson as the writer and director, and had the opposite reaction, writing it off as a failure before it had even entered production.


CREDITS/FILMOGRAPHY:

Director:
The Long Good Friday (2008)
Necropolis (2009)
Resident Evil: Afterlife (2010)
Man with the Football (2008) (announced)
Spy Hunter (2009) (pre-production)
Death Race (2008)
AVP: Alien vs. Predator (2004)
Resident Evil (2002)
The Sight (2000) (TV)

Soldier (1998/I) (as Paul Anderson)
Event Horizon (1997) (as Paul Anderson)
Mortal Kombat (1995) (as Paul Anderson)
Mortal Kombat: Behind the Scenes (1995) (V)
Shopping (1994) (as Paul Anderson)

Writer:
Castlevania (2009) (pre-production) (writer)
Death Race (2008) (screen story) (screenplay)
Resident Evil: Extinction (2007) (written by)
Resident Evil: Apocalypse (2004) (written by)
AVP: Alien vs. Predator (2004) (screen story) (screenplay)
Resident Evil (2002) (written by)
The Sight (2000) (TV) (written by)
Shopping (1994) (written by) (as Paul Anderson)
"El C.I.D." (1990) TV series (unknown episodes)

Thanks:
The Commune (2008/I) (post-production) (very special thanks)

Honestly, I think the guy is a great director/writer who knows what he's doing despite what people might say. Plus, he seems like a all round nice person (just a feeling). His niche obviously is Sicence Fiction. I also just found that Death Race is something of a remake of Death Race 2000 (1975) and was directed by him. :p

(First and foremost, if you don't like Paul Anderson, please don't bother to post slanderous comments about him here. Thank You.)
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Old 10-10-2008, 10:06 PM
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Thanks for the thread!

I haven't seen Death Race, but I heard it was pretty good.

I remember that he scared a lot of people with Event Horizon! I never quite got around to watching it from start to finish, though.
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Old 10-11-2008, 12:01 AM
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Quote:
Originally Posted by ROCKSTAR (View Post)
Thanks for the thread!

I haven't seen Death Race, but I heard it was pretty good.

I remember that he scared a lot of people with Event Horizon! I never quite got around to watching it from start to finish, though.
For some reason, Event Horizon is one Paul Anderson movie (aside from the recently released one) that I never saw. I always got it confused with Supernova, starring Angela Bassett and James Spader, and I have no idea why.

I'll probably watch Death Race when its released on DVD (whenever). Hopefully it will be a great popcorn-flick.
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Last edited by J.R. MacReady; 10-16-2008 at 04:16 PM
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Old 10-13-2008, 03:31 PM
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YouTube - Paul WS Anderson (Director) "Death Race" Interview (MannyThe MovieGuy)

Paul W.S. Anderson - ReelzChannel Video Interview

Quote:
Originally Posted by ReelzChannel.com
We sat down recently to talk with Paul W.S. Anderson about Death Race, his action-packed remake of Roger Corman's 1975 cult classic Death Race 2000.

Is it true you had real guns firing off the helicopters and tanks?

Anderson: Yeah, they were all functioning guns. They didn't have firing pins in them, but Charlie's Armory is close so we could have had them up and running, shooting things.

Wow, that is crazy; that's impressive. These are machines.

Anderson: These are 50-caliber Brownings, developed in the Second World War to knock Japanese kamikaze aircraft out of the air.

Wow!

Anderson: So they have incredible stopping power. The ones on Tyrese's car, the Vulcan cannons, there's usually one of those on a Black Hawk helicopter gunship.

That's amazing, but I guess it makes sense. These cars are fighting machines, essentially, so to put them on there is very logical.

Anderson: I saw the movie as being a war movie as much as a comedy.

Yeah, a war movie set in a prison movie -- the dramatic possibilities seemed kind of endless to me. There is so much to do with the characters, who are very dark anyway and then you add in death.

Anderson: But that was the thrill, for me, of making the movie -- it's kind of three movies in one. I got to make my car movie, but I also got to make a prison movie. And I got to make a war movie. We looked at a lot of movies from the '70s and '80s, car movies to see how they were shot. That was really the last time people were doing everything practical. We also looked at a lot of war movies -- Saving Private Ryan, Black Hawk Down -- because we wanted this to be an immersive kind of war experience.

It was very immersive. And, as you said, everything was practical, as are strangely so many movies right now. All the stunts, all the scenery. Everything's practical. Last year it kind felt quite the opposite with a lot of action movies and super hero movies.

Anderson: I think people are becoming a little tired. There's kind of an overdose of CGI. It's good for fantasy movies. But if you want a gritty reality, if you want peoples' hearts racing during the action scenes, the way to do it is with everything for real. So the people really feel immersed in the imagery, rather than thinking, "God that looks cool but I don't believe it for a second!"

And let me tell you, it's a much more complicated and difficult way to make movies. We were prepping this movie for a year before we shot a frame of film. My end was to put the most spectacular car stunts ever on film. Having seen every car chase movie made, I think from keystone cops onward, I really feel we succeeded in that.

Most movies are shot with one camera. How many did you have to use for these races?

Anderson: Some of the scenes we were shooting had 15 cameras -- for example, when the Dreadnought crashes, which is a 75-foot-long armor-plated truck with a tank torrent on it.

It's impressive.

Anderson: Driving at 65, 70 miles per hour, dead stopping and crashing -- you don't want to do that many times. So we rigged that with about 15 cameras, all handheld, because the thing about doing it practically is you never quite know what is going to happen. Doing that again and again gives the movie this kind of war-reportage feel. Because everything is handheld, the camera men and women had to be really on their toes. They never quite knew when a bit of car was going to come flying towards them.

Jump out of the way! Well, it was really impressive and a lot of fun.
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Old 10-15-2008, 09:03 PM
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Hee.

I'll also be all over Death Race when it hits DVD.

Thanks for that interview! 15 cameras IS impressive!
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Old 10-16-2008, 04:26 PM
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Quote:
Originally Posted by ROCKSTAR (View Post)
Hee.
I'll also be all over Death Race when it hits DVD.
Thanks for that interview! 15 cameras IS impressive!
Your welcome. And that's exactly what I thought; This guy seriously has his art down to "perfection" so to speak. He leaves no angle unturned.
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Old 02-21-2024, 06:38 PM
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Resident Evil is his best work. It's one of the best zombie movies of the modern day era. The laser room scene still freaks me out.

The other sequels he directed are underwhelming, but still entertaining.
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