Bailey030303

Holland Fan Forever

Sash posted this Rob and Kristen fan art tofay.

podmom

this is a wonderful picture!

SIC PARVIS MAGNA

heh meshing their characters be interesting

Holland Fan Forever

Jacki Weaver talks about 'Equals' & Mentions Kristen.
Here's the link from Robsten Dreams, Jacki Weaver talks about 'Equals' & Mentions Kristen | Robsten Dreams
Here's the original source, Jacki Weaver Talks Magic in the Moonlight and Working with Woody Allen

There's a new/old Picture of Kristen from the day of the Met Gala now posted on Robsten Dreams.

hairbyadir #tbt to this beautiful friend before #metball2014. Miss this incredible girl so much! #kristenstewart
@jilliandempsey #jilliandempseyjewlery #hairbyadir
Here's the link, New/Old Picture of Kristen from the day of the Met Gala | Robsten Dreams

Bailey030303

Cool...

SIC PARVIS MAGNA

Sweet

http://vernistene.tumblr.com/post/92...s-leg-intimacy

Holland Fan Forever

Kinnear posted the new Rob and Kristen comics today.








SRWN posted this Rob and Kristen fan art today.


4eva2getha posted this.
The one who is meant for you encourages you to be your best, but still loves and accepts you at your worst


There are new fan pictures of Kristen in Japan from today July 28, 2014 now posted on Robsten Dreams.





Here's the link, http://www.robstendreams.com/2014/07...-in-japan.html

Bailey030303

Oh lovely...

SIC PARVIS MAGNA

awww love all the goodies haha

Holland Fan Forever

@CampXRayMovie
You have To Have Facebook To be Able to Join This Camp X Ray Group Where they will Show Footage to us First before anyone Else Sees it!
Yay! RT @IFCFilms Right this way to #CampXray...http://bit.ly/XRAYexclusive
Thanks to Sash for the info.

Kristen on the cover of Telerama (France) - NEW Cannes Portrait & Interview (August 2-8, 2014 issue)

In the next Olivier Assayas movie, Kristen Stewart revealed at 18 with Twilight, plays the assistant of a star. The occasion for the star
assaulted by the paps to report the perverse effect of that business.

The most hardened night hawks only just deserted Cannes' night club that
was on the roof of palace on the Croisette. In the sticky dust and the
lingering odour of cold tabacco another circus is rolling out. After
causing a peak of fever during the ultimate red carpet of the
competition, Kristen Stewart, the evanescent star of Twilight, comes to
make the express promotion of Sils Maria, the movie by Olivier Assayas,
where she assures a fantastic acting temperament. In the darkness of the
night club returning to the light, the screens sparkle close to the
collapsed green plants, the phones and walkie-talkies are overheating,
the press agents briefly meet one other and talk without understanding
one another, the photographers have they feet caught in the cables. When
the young California star finally appears, she sees herself cornered by
the sun, a window that underlines her pallor. Big circles are forming
at respectable distance, like many security perimeters, where she looks,
under the flashes, like a butterfly against the window. "What an unbelievable show! I know it by heart but here it's almost funny to observe it" she said later.

Olivier Assayas movie highlights an expanded register and allows him to softly express the critic of an asphyxiating system. "Themovie wasn't written for me [the director thought of Mia Wasikowska first] but the coincidence and timing were perfect. It allows me to say
'****'. To show that I'm not fooled by the game of celebrity."
Without having to do in a naive way, or be too up-front, on TV or in
magazines columns. Kristen Stewart says she's passionate about movies
that laid bare cinema's backstage. With Olivier Assayas, she found the
occasion to make fun of "The denatured pictures that people devour
with voracity... All this circus around me, it's completely fake. I take
pleasure in showing it, showing that deep down they don't even reach
me. I find the experience exhilarating. Olivier Assayas offered, to
Juliette Binoche and myself, a beautiful meditation on women involved in
the actress profession. What it costs them. What it brings them. And
what they can really keep for themselves."

Kristen Stewart is known for the intensity with which she analyses every
script (we nicknamed her the 'Twilight Nazi' for her defence of the
original story!). She was very diligent in the way she worked on her
role of an 'assistant'. It sends her back to the knots of her own
existence, since Twilight, the movie by Catherine Hardwicke, fastly
promoted her in the "unbreathable" heights of planetary fame.

"Everything happened so fast et unexpectedly. I was completely
isolated. Secluded. Still today, people don't talk to me. They're either
stopped from doing it or they don't dare to..." The star's
assistant becomes an accomplice and a confident with whom a 'very
pragmatic and mysterious' relation goes on. Sils Maria script puts on a
face to face similar to the one of Persona by Ingmar Bergman "I'm
stroke by the actresses dependence. They absolutely need this hardly
acceptable relation, neither really friendly or really professional.
Sometimes to the point of obsession. In Sils Maria we really feel that
this link overwhelm these women. It intrigues and scare them."

Kristen Stewart doesn't know another life than the one of cinema. Her
parents work in the audiovisual media (scriptwriter and manager) and, in
spite of their reluctance ("these child-actors are too crazy, you're nothing like them"), she always ardently wanted to have a career on the screen. "At
school people saw a tomboy in me. And the casting directors didn't see
beyond the teen from San Fernando Valley, the jeans too big on her and
her cap..."

Kristen Stewart also interpreted the rockstar Joan Jett in The Runaways
and says to be working on an electrical mode, reminiscence of the punk
generation. Without any drama lessons or coach she jumps in every role
without a safety net. On the set of Sils Maria, she arrives everyday
without knowing her lines that she learns at the edge of the set at the
last minute. She insists to do only one take, sure to burn everything
with the first fire. "'You need to prepare better' Juliette Binoche
told me. But I don't think I'm capable of that. If I don't learn my
lines in advance it's to avoid dissecting it. As soon as we start a
rehearsal, I only see actors at work, I can't stop myself from finding
them ridiculous. I'm also afraid to see appear emotions that would not
appear again in front of the camera. I watch myself too much."

Olivier Assayas played the game. He hates rehearsals and stays away from
the actors with whom he's not looking for any kind of friendship: "I
pick them for a part of fantasy that would lose some of their strength
if I knew them better. I could not ask them the things I ask them." he explains. At first, Kristen Stewart was disoriented "American actors are used to be bombarded of advices and indications. As soon as ashot is finished, directors start talking, talking, talking... I took two weeks to adapt but I understood that Olivier entirely entrusted the
role to me." According to the director, Kristen was also pushed by her encounter with Juliette Binoche: "Kristen was very in awe at her liberty and wanted to learn. She has an absolute control -almost diabolical- of her body and motions. All her movements
seemed choreographed as if she had a history of a dancer. Juliette often
provoked her to bring her elsewhere. Beyond her simple instinct."

"I don't know how long I'll be able to work without getting into the depth of my technique" says Kristen Stewart. "I feel like I can mess everything up. But I like living on the nerves. Fear is my driving force."

Olivier Assayas fully enjoyed this responsive nature. During a swimming
scene, he let the actresses completely free of their motions. "He planned everything, I was freaked out"said Kristen. Juliette Binoche ran into the water, throwing her clothes away. Kristen Stewart followed keeping her swimming suit on. "I even
had the reflex to divert my eyes like a young American my age would do.
This modesty is from my character, not me. I'm not looking for
preserving my image. I don't feel any pressure. I'm not afraid to do
what I like and I want to always show more. You know what I mean?"

Here's the link, ItsOKtobeYOU.org - Your Kristen Stewart Fansite & Source: Kristen on the cover of Telerama (France) - NEW Cannes Portrait & Interview (August 2-8, 2014 issue)

Jesse Eisenberg talks about 'American Ultra', Kristen & working with her

Here's the link, ItsOKtobeYOU.org - Your Kristen Stewart Fansite & Source: Jesse Eisenberg talks about 'American Ultra', Kristen & working with her


Thanks to Sash for the info.

Bailey030303

Robert will be featured in September's issue of Esquire UK! Photoshoot is HOT!





Here’s an excerpt from his interview……

His direction seems clear – he’s working exclusively with auteurs, on films that are not obviously commercial, and in roles that are uniquely challenging and wildly different, one to the next.

Last summer, he finished The Rover in Australia, a dystopian western from David Michôd, who made 2010’s brilliant Animal Kingdom. Pattinson’s performance is already receiving rave reviews.

(…..)

His friends might well be jealous of the notice he’s getting for The Rover right now. It’s arguably his best performance, and it responds to critics who would call him unexpressive. He might be a minimalist in real life – living in a single room in an unfurnished house, meditating and relishing his time alone – but as an actor, he’s opening up.

Pattinson plays a man who’s been left to die by his brother in post-apocalypse Australia. The brother steals Guy Pearce’s car, and Pattinson and Pearce team up to find him – Pearce to recover his car, Pattinson to find out why he’d been abandoned. His character is clearly impaired somehow. In the film, Pearce asks him, “What are you, a halfwit?” Pattinson is all tics and stumbling speech, a weak, confused look in his eyes. He may not have gone full retard, but he’s on the way, surely?

“That’s not how I thought about him,” he says. He saw his character as someone who’d been severely bullied, like a battered wife who kept going back to her abuser. “He has zero self-esteem, he’s just been criticised so much, that every time he starts speaking, he’s scared that someone will shut him down.”

The location was epic: nine hours north of Adelaide, in the middle of nowhere, 150 miles from the next town. The two actors lived in old shipping containers fitted with windows and swarming with flies, in a village of only 50 people. Temperatures routinely rose to 49ºC. And the kangaroos were so unaccustomed to seeing vehicles that they’d often just jump out in front of them. “Half the crew would have, like, blood splattered all over their cars,” he says. “It’s dangerous. If they jump into your windscreen, they’ll freak out and just kick you to death inside your car.”

He loved it there. David Michôd told The LA Times, “I don’t think I ever saw an actor so happy as when I saw Rob coming down the street toward me all by himself. He was practically bouncing.” No one knew him there. He could go anywhere he wanted. The outback suited him perfectly, and he still misses the isolation. “I forget what the aboriginal language is, but there’s no word for ‘yesterday’ or ‘tomorrow’. And there was this guy, who’d just sit, covered in flies, the entire day, waiting to be called onto set. No comment, nothing. There’s a Zen you get out there. I mean there’s nothing to do anyway. It’s not like you have to get across town for a meeting!”

Link

SIC PARVIS MAGNA

SOOOOOOOO excited!

~jo♥jo~

Hotness!! Miss them. Great pics!

SIC PARVIS MAGNA

Me too lady