Degrassi - Old School Degrassi Appreciation#2: Everybody wants The Zit Remedy to reunite on TNG - Page 10

Emmaliza · 01-18-2009, 12:00 AM

Can anyone think of a good, etymological background for that word?

rockstarsugar · 01-18-2009, 12:03 AM

God lmao. Let me watch a few more and maybe I can.

FIC CHALLENGE!

Emmaliza · 01-18-2009, 12:22 AM

About where 'broomhead' came from, or something else?

Marki · 01-18-2009, 12:52 PM

well see now i think iget the whole centric part and yeah there really arent many...in high anyway theres a few in junior high.

broomhead lol...everytime i hear that i think of arthur and his hair

**JustMe2000** · 01-18-2009, 02:22 PM

Great icons.

And everyone should be called Broomhead at least once in their lives.

rockstarsugar · 01-18-2009, 03:01 PM

BROOMHEADS!

Ok so you all got called Broomheads. And I meant as a fic challenge as to why the term happened. It's just too weird lol.

Thanks, Justme200. Glad you liked them!

Mayberry · 01-19-2009, 05:43 PM

I always associate "broomhead" with Joey. I've heard him say it enough times.

**JustMe2000** · 01-19-2009, 06:55 PM

I think Arthur and Arthur/Yick are the ones I associate it with the most. Probably because of the very first episode with them.

Marki · 02-24-2009, 10:28 PM

yeah i think thats why i think of arthur because of the first episode.

so i dont know why but latley ive been all about Joey/michelle as you might have noticed by the icons. But like i never though about them together before even when i had started watching the show but now the more i think about it the more i think they would be cute together. thers no signs in the show to indicate they could or had any sort of connection but she like a sweet person whos strong and independent and i think that would go great with joey who thinks highly of himself.

anyway we need to pretty up the OP. any suggestions?

**JustMe2000** · 02-24-2009, 10:41 PM

I'm no artist, but there's some pictures here.

I did like the little bit of interaction we got with them in that one episode where he teased her about giving the speech in the class. She always seemed like perhaps the the most "normal" character on the show, if that makes any sense.

varjak-golightly · 02-25-2009, 03:03 PM

Michelle was very realistic. But her actually moving out at the age of 16, I know some kids do that, but...

Marki · 02-25-2009, 03:18 PM

i was more shocked at the fact that she found an apartment that she could afford so easily. Even if the people around her were noisy still seems a little outstretched conssidering her would be been paid less because she wasn't an adult at her job .

**JustMe2000** · 02-25-2009, 09:57 PM

Well, yeah, definitely the whole moving in by herself at 16 wasn't the most realistic, but I guess in terms of the way she acted and dressed, she seemed pretty realistic to me.

Marki · 05-07-2009, 04:46 PM

ahh lets not forget this thread now.

So back to Michelle really is one of the characters that we got to see evolve i gues smuch like Stephanie kaye i dont think there were many other characters like that most of them were still the same into the same things same sort of personality but she really came out of her shell and went from really submissive to assertive and really focused on what she wanted to do i guess that was the joy in watching her.

OP UPDATED

**kaleidocat** · 05-27-2009, 11:01 PM

Sitting through 40 Is The New 20, Quebec director Simon Boisvert’s first English-language feature, is like watching a summer-stock production of In The Company Of Men performed phonetically by people who’ve never acted before.

Degrassi vet Pat Mastroianni, head shaved Hugh Dillon-style, stars as a Montreal stock trader who runs into his former high school girlfriend (Claudia Ferri) and tries to rekindle the spark. She’s not interested, but he isn’t willing to give up.

So our hero conspires with his sexist-******* buddy (Bruce Dinsmore) to get her a job at their firm, where they can plant spyware on her computer, audit her email and cellphone traffic and gradually steer her into his arms.

Writer/director Boisvert seems to think it’s all very clever, but his script is contrived and unpleasant, giving the actors little to do but mouth his dialogue with whatever conviction they can muster. Which ain’t much.

Source.

I got this in my google alerts because of the "Hugh Dillon."

The OP is hot btw!