Spoilers - Gilmore Girls Spoilers ~ 'Cause hiatus is the calm before the hurricane!

~Kitty · 12-09-2004, 07:27 PM

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Gilmore Girls Episode Spoilers

Where the clues lead to blindness and insanity ~ CSI:Stars Hollow

------------------------- The Hiatus Is Upon Us -------------------------

5.11: Unknown
airdate: 25 Jan 2005

From Jet1945

Info taken from Sides in the Shooting Script 11/9/04

The information summarized below is taken from the 7 Sides published on 11/9/04 for Professor Stanton, Girls #4 and #1, Tara, Bobby, Craig, A Scout. I will include context and stage descriptions where appropriate.

Dialog and Stage Direction have been significantly blacked out through out all of the Sides.

Characters:
Prof. Stanton - Yale Professor - Subject unknown
Girls #4 and #1 - Young women, approx. Lulu's age
Bobby - Young Boy of Stars Hollow
Tara - Young Girls of Stars Hollow
Craig - Young Boy of Stars Hollow
Scout - Man - Revolutionary War Scout

Note: The children, Bobby, Tara, and Craig range in age from 10 to 14 years old. We do not know their individual ages.

Editor Note: A fragment of Scene 10 starts at the top of page 30. The dialog is blacked out. But, Emily's name can be made out. Who she is talking to is unknown.

Interior - Yale Classroom/Hallway/Exterior Yale Courtyard - Later That Day - Day (Day 2) - Scene 11 -

Professor Stanton is lecturing about David Hume. He is remarking about how Hume desired a society not ruled by fear or superstition and that Hume venerated tolerance. Stanton says that Hume is a personal favorite of his and not that he was Scottish and that Stanton's mother's maiden name was MacCammon.

Stage Direction: Rory and others in the class chuckle.

Professor Stanton closes his lecture with telling them that the next lecture will be on the "Principles of Moral" and perhaps why Scots rule. He tells them to "read, read."

Editor Note: We have some Stage Direction, but part of it is blacked out.

Stage Direction: Rory and the others grab the stuff and head out. We follow her down the hall - blacked out information - sees Christopher up ahead, sitting - more blacked out info to the end of the direction.

End of Side for Professor Stanton

Editor Note: What follows is 1/3 of a page of dialog between Rory and Christopher.

Rory says to Christopher, "Still here." Christopher's response cannot be made out. Rory answers to Christopher, "Nope", and the rest is cannot be made out. Scene 11 continues but the script page ends here.

Interior Location Unknown - Time Unknown - Continuous - Day (Day Unknown) - Scene 13 -

Kirk is telling Taylor that Lulu is as insensitive as they come. Taylor tells Kirk that is fine and that they only have a little time and must choose the right girl quickly. Taylor turns to a group of girls and tells them to stand up.

Stage Direction: The girls stand in a line in front of Taylor and Miss Patty. Taylor studies them. Kirk looks on nervously.

Taylor continues with saying that based on the visual that they are looking for, he must eliminate numbers two, five, seven and he hesitates, 9. He thanks them all for coming.

Stage Direction: The appropriate girls look disappointed and leave. Kirk breathes a sigh of relief that Lulu made the cut. He shoots her a thumbs up. She thumbs ups him back.

There is some Taylor dialog blacked out, but most of it can be read. Taylor now tells the remaining girls that he must see a demonstration of their acting abilities. He says, "Please show me your best come hither look."

Stage Direction: The girls do their best to show their come hither looks. They don't do it very well. Some smile, some try to look serious and sexy, but none of them look very fetching.

Taylor asks again. "Your come hither look, ladies?"

Girl #4 says that that was her come hither look. Taylor excuses Girl #1. Girl #1 says, "Rats."

Stage Direction: Kirk silently celebrates as Girl Number One starts to go. Taylor opens the door for the girl to leave. The balance (one line) of the dialog is blacked out.

End of Sides for Girl #4 and Girl #1

Editor Note: The next series of Sides are for the children, Bobby, Tara, and Craig. The Sides has been cut and pasted together, but most of the complete Scene 26 can be put together.

It is also apparent from these Sides that what Taylor and Miss Patty were doing in Scene 11 was trying to choose a girl to play a "Woman whose livelihood defied laws of morality but acted in a fashion in which God would forgive her."

Exterior Stars Hollow - Continuous - Day (Day 4) - Scene 26 -

Stage Direction: Lorelai and Rory come out of Luke's as the re-enactment is about to start. About twenty or so townspeople have gathered in the cold to bear witness. Several newspeople are gathered together to record the event. They include a couple photographers, a couple reporters, and a video camerman. Reverend Skinner stands with three local school kids, ages 10 - 14, who are each holding large faux history books. Their names are Bobby, Tara, and Craig. The re-enactors -- Andrew, Sy, (rest of the names blacked out). Bobby, tara, and Craig step forward, opening the faux history books. Bobby is giggling to himself.

Reverend Skinner tells Bobby not to get the giggles.

Stage Direction: Bobby stops giggling and composes himself. As the narrate, they all read from their history books.

Bobby starts with, "The year..." and they all chime in "Seventeen seventy-nine!" Bobby continues, "The location..." and again all, "Stars Hollow!"

Lorelai mockingly tells Rory that Children should shoot us for what we make them do. Rory, "Ssh!"

Bobby describes how during the War for Independence and important turning point was reached when the brave Town Militia learned that a powerful British general was riding through the area to rejoin his troops and wage a decisive battle. An that it inspired an idea.

Rory talking to Lorelai asks, "Wouldn't they have had horses?" Lorelai has some sort or mocking answer but it is blacked out - the word coconut looks like it is used.

Stage Direction: The re-enactors disappear around the corner.

The children recite together: "Brave our soldiers are!"

Lorelai tell Rory that while looking at Tara, "You so would have been that little chick." Rory - "Yeah...."

Stage Direction: The Reverend spots the re-enactors peeking around the corner destroying the illusion that they are off blocking the high road. He waves for them to disappear and they clumsily do that.

Stage Direction: Bobby steps back and Tara steps forward. She reads from her history book.

Tara tells the story chapter about how the Militia went off to block the high road. The British general had no choice bit to take the only passable road on this snowy day - The road through Stars Hollow.

Stage Direction: Tara steps back and Craig steps up.

Craig tells of a Scout that arrived to warn of the general's coming.

Stage Direction: A re-enactor on horseback come galloping down the street toward the crowd.

The Scout is hollering, "The British General is coming! The British General is Coming!"

Lorelai mockingly says: "It's so expositional." Rory remarks: "I guess Tony Kushner wasn't available."

The Children all chime together reading, "And then the General arrived!"

Stage Direction: Taylor comes in riding slowly, looking very proud of himself in his fancy British General uniform.

Taylor in a British accent: "It certainly is unfortunate that the high road was blocked this day, forcing me to ride though town."

Lorelai snarks about this - most is blacked out. Rory remarks that Taylor looks like Dick van Dyke from "Mary Poppins."

Craig now tells all about a brave women who put herself in harm's way and emerged to distract the general. Craig describes her as: "This simple, common, woman whose livelihood defied laws of morality but acted in a fashion in which God would forgive her led the British General into the warmth of her Boudoir. She saved Stars Hollow!"

Stage Direction: Kirk takes Taylor by the arm and leads him back into the house he came out of. Kirk gets back ino the part, gesturing with his hands for Taylor to come in. The minister starts giggling. Bobby notices.

Bobby sternly calls out, "Reverend."

Reverend Skinner stops giggling and says, "Sorry."

Craig continues with telling how the British general was kept occupied long enough for Lafayette's troops to ambush his men, a decisive victory for the colonists.

The children conclude the story by reciting together, "Thanks to the Stars Hollow Militia, (they get out of synch and peter out),...The 'woman whose livlihood defied laws of morality but acted in a fashion in which God would forgive her'."

Editor Note: I don't know how - but it is evident that none of the girls were selected to play the prostitute, but Kirk was????

End of Sides for Bobby, Tara, Craig, and the Scout.

Editor Note: This scene ends on page 67 of a normally 70 - 80 page script. There was no evidence in any of the Sides about who may have died. The dialog amongst the main characters did not have any hint of sadness or grief. In this last re-enactment scene Lorelai's and Rory's dialog was primarily mocking the scene and the re-enactment.

--Someone dies off-screen in ep. 11.
It is not a main character (one who appears in the opening credits or has appeared in the opening credits)
It's a human.
It is someone we have seen at least once.
This person has had scenes with Lorelai and Rory.
It's not a "funny" death. And it could really have an effect on the rest of the season (depending on how future episodes go).
They haven't been on this season.
It isn't Mia and it isn't Sherry.

5.12 - Come Home
airdate: 1 Feb 2005

From Jojo

Characters:
Anson
Reese
Customer 1
Customer 2
Korean Man
Little Korean Boy

Day 1: Lane, Zack, and I think the rest of the band are at Luke's, and I think they are looking at pictures of the band. Lane doesn't like how she looks. The customer asks her for coffee.

Day 2:

Richard and Emily are talking at the dinner table, opposite ends again. Richard asks Emily if she wants to buy the Mercedes she's been leasing, and she says she will. And then they talk about an appointment about the water heater.

Ok Lane and Zack are at Luke's, and she has contacts now, and Zack doesn't like them. He thinks it takes away from the fact that she's smart. She's the first smart, pretty girl he's gone out with, and the glasses are a big part of that. A customer says something about eating without a spoon, and Zack defends Lane and says that she's not stupid...just because she doesn't have glasses.

Richard is talking to his coworkers, Anson and Reese, about something having to do with work. They need someone else to work with on this particular assignment, and Richard suggests Simon, but then they assume he wouldn't want to work with him because of Emily, and he agrees.

Day 3:

Lorelai and Sookie are in the Dragonfly kitchen, prepping for dinner. There are mini-stuffed turkeys everywhere.

Day 3 - I think...

Emily and Richard are going somewhere, and he says "I guess I'll see you there." Emily is a little hurt.

Night 4:

Lane and the band are at her family's party. They look in "disdain" at the group. A Korean man says something very angrily in Korean.

The band is sitting at the kids table, and Kyon and the little Korean boy are at one of the main tables. Lane & Zack are especially miserable. He gets up to go to the bathroom, and the little boy yells at him for getting up.

Kyon and Brian flirt a little bit

Lorelai walks by Doose's and sees Jackson with Davy in a stroller. But it's not a real kid lol..it's a "water baby."

Rory and Logan seem to be on a date. They're at a pub, Rory's drinking a cappuccino, Logan a Black & Tan. They are "close, cozy, and seem to be having a good time." Rory can't believe that Logan has never seen "The Office," and Logan says he feels stupid.

From Jet1945

Episode 5.12 - "Come Home"

Info taken from Sides in the Shooting Script 11/21/04

The information summarized below is taken from the 7 Sides published on 11/22/04 for Mitchum Huntzberger, A Korean Man, a Little Korean Boy, Customer 1 & 2, Anson, and Reese. I will include context and stage descriptions where appropriate.

There is very little Dialog and Stage Direction blacked out in these Sides.

Characters:
Mitchum - Logan's father - Early 50's
Korean Man - Fifty-something Korean man
Little Korean Boy - Young boy, age unknown
Customer #1 - Customer at Luke's
Customer #2 - Customer at Luke's
Anson - man - Co-worker of Richard Gilmore
Reese - Man - Co-worker of Richard Gilmore

Editor Note: This is the Start of Act 1.

Interior Yale Daily News Office - Day - (Day 2) - Scene 2 -

Stage Direction: It's all business in the newsroom. People buzzing around, on the phone, working on computers. Rory enters and heads to her desk. Paris is sitting on Rory's desk, anxiously staring at something across the room.

Rory tells Paris to move her butt. Paris says in a minute. Rory ask her what she is looking at.

Stage Direction: Rory looks over to what Paris is fixated on.

Stage Direction: Angle on Doyle and Mitchum Huntzberger. Doyle is showing Mitchum Huntzberger around the newsroom. Mitchum Huntzberger is a man in his early fifties, very Phil Bronstein in appearance and demeanor. Doyle seems about to drop dead from panic.

Doyle is telling Mitchum Huntzberger that they moved the desk placement around this year to have a more open "Washington Post" feel. Mitchum says he likes it, likes it very much.

Stage Direction: Angle on Rory and Paris.

Rory asks Paris, "Who's that?" Paris tells her, "Mitchum Huntzberger." Rory is now suddenly interested. She asks, "Logan's dad?" Paris tells her yes and Rory continues asking what is he doing here?

Paris tells Rory that apparently he comes by every now and then to make sure all the plaques with his name on them are being shined properly.

Stage Direction: Angle on Doyle and Mitchum.

Doyle tells Mitchum that all the computers are new. Mitchum says they look the same. Doyle assures him that the screens are bigger, at least an inch or half an inch larger. He panics a bit and asks for a ruler.

Mitchum tells Doyle, "Here."

Stage Direction: Mitchum pulls a tape measure out of his pocket. He measures a computer screen.

Mitchum remarks, "Eighteen inches."

Stage Direction: Mitchum snaps the tape measure closed.

Mitchum tells Doyle that a real newsman always has a tape measure in his pocket. Doyle, "Really."

Mitchum tells Doyle, "No, I bought a pool table on the way over here. had to make sure it would fit."

Stage Direction: Mitchum pats Doyle on the back. Doyle laughs nervously.

Stage Direction: Angle on Rory and Paris.

Rory tells Paris that Doyle looks a little green. Paris rants a bit saying that that is good. Doyle had no color in his face at all when he first heard Huntzberger was coming. He actually stopped breathing for 10 minutes. Paris thought her was clinically dead for two minutes.

Stage Direction: Angle on Doyle and Mitchum.

Mitchum tells Doyle that he a is running a tight ship here. Doyle says that "Real news is what makes the world go 'round."

Mitchum says. "Don't tell that to Fox."

Doyle says he wants to introduce a couple of our top reporters. He introduces ROry and Paris to Mitchum.

Paris starts on a soliloquy about how nice it is to meet him. She has admired his work, but that he definitely has his moments. Paris tells him that he completely blew it with the Fallujah takeover, but that he semi-redeemed himself with the Arlen Specter witch hunt coverage and that she did chuckle at how many times over the last month he referred to Blair as Bush's poodle.

Doyle jumps in by introducing Rory. She is over there and asks her to says something.

Paris says to Doyle, "What?, I was nice. That was nice."

Rory says that it is nice to meet you, Mr Huntzberger. Mitchum tells her to call him Mitchum, that Mr. Huntzberger was his father.

Rory asks him what bring him to town. Mitchum tell her that he has a son who goes to this establishment, or at least that is the rumor. He stopped by to see him on the way to New Youk where he is throwing a party for Seymour Hersh on Friday.

Rory perks up and asks Seymour Hersh? She says that she has read every book, article and Chain of Command, twice. That it made her stomach hurt for a month. She says "I love him."

Mitchum tell Doyle that he has an admirer of Hersh here and that he expect her to give him a lot of trouble.

Rory continues babbling with saying that she read "My Lai 4" when she was 15 and has been obsessed with him ever since. She says she's sorry she is gushing and she's done. Rory asks how long has Mitchum known him.

Mitchum tells her that they have been friends for years and to trust him. If you love the writing, you'd love the man. Rory tells him that's nice.

Mitchum says that he will tell him that he has a charming young admirer. That he won't tell him where or who and it will drive him insane and he won't speak to me for a month. He says that is how they have remained friends so long.

Stage Direction: Mitchum walks Doyle away from the girls.

Mitchum shifts attention to Doyle saying that it has been some time since he has seen Logan's byline in "The Daily News." Doyle mumbles a bit.

Mitchum asks Doyle if he know what Mitchum's business is. Doyle assures him he does. Mitchum continues and asks,"What's my business Doyle?"

Doyle tell him, "Newspapers."

Mitchum tells him that is correct and that someday he would like to hans his business over to his son. That he actually need him to know something about it.

Doyle - "Sure. That would be helpful."

Mitchum tells Doyle that this is where he comes in. That part of being a great editor is knowing how to bring out the best in reporters. How to motivate them, encourage them, discipline them. Mitchum says that Logan is young and distracted and that he really need Doyle's help to focus.

Doyle says that he will do anything he can. Mitchum tells Doyle he would consider it a personal favor and that he won't forget.

Stage Direction: He parts Doyle on the back.

Mitchum - "Terrific. Paris, Rory, it's been a delight. Doyle, thanks for the tour."

Stage Direction: Mitchum heads out.

Mitchum's parting comment, "And tell Logan to call his mother."

End of Scene 2

End of Side for Mitchum.

Editor Note: A fragment of Scene 4 starts at the top of page 18. The dialog is between Zack and Lane.

Assumed Interior - Luke's Diner - Day - Day (Day 2) - Scene 4 -

Zack and Lane are finishing up a conversation. Zack has been apparently complaining about something and Lane tells him to lighten up.

A customer asks, "Miss? Some more coffee, please?" Lane comments that at least he didn't say Mister.

Stage Direction: Lane crosses away. The guys return to their pictures.

End of Side for Customer 31

End of Scene 4

Editor Note: There is the start of scene 5 on the same script page.

Interior Gilmore House/Dinning Room - Day (Day 2) - Scene 5 -

Stage Direction: Emily and Richard are sitting at opposite ends of the table. They each have a legal pad in front of them. There is a crystal decanter with water in the middle of the table. They each have a glass of water in front of them. Unlike the previous meeting, the tone of this one is very pleasant.

Emily remarks to Richard that the lease is up on her Mercedes at the end of next month.

Richard asks if she wants to buy it and Emily says that she finally has the seat where she wants it. Richard continues with telling to take his word for it and for her to keep it. Emily says that she will and Richard tells her he will make the arrangements tomorrow.

Emily thanks him and Richard tells her she's welcome and that now they need to work on the schedule for the water heater. Richard asks if Friday morning will work for her.

Editor note: The scene continues, but the script page ends at this point.

Editor Note: A fragment of Scene 7 starts at the top of page 31. The dialog is between Zack and Lane.

Assumed Interior - Luke's Diner - Day - Day (Day 3) - Scene 7 -

Lane has apparently gotten contact lenses. Zack is telling her that she is the first cute, smart, girl that he has ever gone out with and that the glasses were a part of that.

Lane tries telling Zack that her IQ is the same, the Contacts don't change that. Zack is on a roll telling Lane that she will lose the initial impact. Now people will have to talk to her for a few minutes to figure out that she is smart.

Lane is adamant is telling Zack that that is what they will have to do. Zack say he will try to get used to it.

At this point a Customer asks: "I'm sorry, am I supposed to eat my soup without a spoon?"

Zack jumps in telling the Customer that of course he doesn't. She is really smart. She's just not wearing glasses.

Stage Direction: Zack crosses to give the Guy a spoon, leaving Lane standing at the counter, less than pleased with Zack's reaction.

End of Scene 7

End of Side for Customer #2

Interior Richard's Office - Day (Day 3) - Scene 8 -

Stage Direction: Richard is pacing his Office. His co-workers, Anson, Jeremy, and Reese, are sitting around, powwowing.

Richard, Anson and Reese are having a discussion about various insurance cases. Anson tells Richard about a phone call he had with a client on the speaker-phone. The client yelling brought Anson's secretary, Laurie, running in holding her shoe thinking Anson was being attacked. Richard tells Anson that he is in good hands with Laurie. Reese remarks he wishes he had a secretary like Laurie.

They continue to talk about this case saying that the client won't ever settle. Richard says he would if they sent Laurie in there with her shoe. Anson tells Richard that the client has already gotten his lawyers working on it. Richard says that they will need to bring in outside council(sic) for this and that it is going to be messy. He asks who's available.

The three of them discuss the merits of various different attorneys. One of them brings up a name, the others citing why not. Finally, Richard brings up the name - Simon Maclaine.

Anson and Reese stumble around and tell Richard that he doesn't really want this one. Richard asks why not, that he has always done top notch work for them in the past. He emphasizes that Simon is aggressive, not sloppy, and very creative.

Anson and Reese finally bite the bullet and tell Richard that they assumed that Richard wouldn't want to work closely with Simon anymore since the whole thing with him and Emily.

Stage Direction: Richard looks at the men a beat. Then it dawns on him what they are alluding to.

Richard continues asking about another lawyer named Brandt.

Stage Direction: Reese and Anson continue to discuss Brandt as Richard processes his new information.

End of Scene 8

End of Sides for Anson and Reese

Editor Note: What follows is a very brief fragment for the next scene. Apparently, the Inn's Horses Cletus and Desdemona have gotten out.

Interior Dragonfly Inn/Kitchen - Day (Day 3) Scene 9 -

Stage Direction: It's dinner prep and there are mini-stuffed chickens everywhere. Sookie's zipping around at light speed. Lorelai enters and heads t the fridge.

Loreali tells Sookie that the padlock discussion was a dud, that she just got a call from Mrs. Berg. Cletus is standing in her wading pool. Lorelai need carrots.

Sookie tells her they're on the bottom shelf.

End of script page - Scene 9 continues.

Editor Note: We pickup Scene 15 in progress. They are at a party. From a subsequent Scene an assumption can be made that the Party is at Mrs. Kim's

Assumed Interior Mrs. Kim's Antiques - Night - (Night 4) - Scene 15 -

Zack is sniffing the air commenting that it smells good and he is going to get some tteokguk (sic) tonight. Lane urges him along.

Stage Direction: Lane leads them across the room. No one pays any attention to them until a fifty-something Korean Man and woman pass by them going the other way. They are painfully obvious in their disdain for the group.

The Korean man is supper angry, "Cham chang pi hada. Ya bi han aieda. Neh mah um sok eh ma gwi ga dul uh gat kuh nah!"

Editor Note: AvidTVFan and her Roommate Jae Hung have gracious provided a translation of the previous Korean Phrase: "Shame on you. You're a sketchy kid. You have the devil in your mind." Jae Hung also provides us with the comment that she was surprised at the dialog because it's "kind of harsh." Thanks to both of them.

Stage Direction: The Korean man and woman move on.

Brian's come back is that at least broke the ice.

Stage Direction: They reach the punch bowl. Lane starts pouring for them as they all stand around there, awkwardly. She hands a cup to Zack.

Zack asks the group, "Can we go yet?" lane tells him to hang in there. Gil remarks that a chick once dragged him to a Travis Tritt concert and he feels more out of place here.

Stage Direction: They huddle together in the little group as the party rages on.

End of Scene 15

End of Side for Korean Man.

Editor Note: The script page continues with a fragment of Scene 16.

Exterior Doose's market - Night (Night 4) - Scene 16 -

Stage Direction: Lorelai is walking down the street. Jackson comes out of the market with (water baby) Davey in a stroller.

Lorelai comments that it looks like the Fleet's in Town. Jackson says, "Yep."

End of Scene 16 fragment - the scene continues

Editor Note: There is fragment of Scene 17 at the top of page 48. It is a conversation between Richard and Emily. The location and time is unknown.

Assumed Exterior - Location Unknown - Night (Night 4) - Scene 17 -

Emily is saying to Richard that she will see him there. Richard remarks that it seems inevitable doesn't it.

Stage Direction: Richard walks off to his car. Emily watched him go, confused and a little hurt. She gets in her cat and starts it up.

End of Scene 17

Interior - Kim's Antiques - Night (Night 4) - Scene 18 -

Stage Direction: We pan down a long row of tables where Mrs. Kim and her guests are eating dinner. Our group is not with them. We reveal that they are at a separate kids' table. Lane, Zack, Brian, and Gil sit at it. Their table is set up near the end of the main table. Kyon and a Little Korean Boy sit at the end of the main table, so they are near our group. brian and Gill seem content enough, as they eat. Zack looks even worse than before, and Lane is not having any fun. Zack and Lane are barely picking at their food.

Gil remarks that these are good eats - slimy. Brian also says that he is enjoying it.

Gill says that he likes slimy food because it slides down easy, and he gets the sense that it keeps sliding and helps the colon and stuff. Because it scrapes as it slides and since it is not in you long, you don't get fat.

Zack is a bit exasperated and tells Gil to just eat. Lane asks Zack if he is not hungry. Zack tell her that slimy food doesn't float his boat like it does the other. He excuses himself say he has to go to the bathroom.

Stage Direction: Zack stands.

A little Korean Boy tells Zack that he is not allowed to leave the table. Zack tells him the nature's calling. the little Korean Boy yell forcefully at Zack that nature must wait.

Stage Direction: Guest turn to look.

Zack asks the little Korean Boy to keep it down. The Little Korean Boy tells Zack, "Sit till we're done!"

Stage Direction: Intimidated, Zack its back down.

Zack asks Lane that he beat the crap out of the little kid, will anyone care? Lane tells him that Mama Kim locks the bathroom door while we eat anyway. Zack, "Super."

Stage Direction: Mrs. Kim stands and addresses the group.

Mrs. Kim tell them they are all done eating. There will be a 30 minute break until dessert and that Mrs. Shin and her fellow musicians will play for them. Mrs. Kim tell Mrs. Shim that they has better start setting up.

Stage Direction: Mrs. shin, a small Korean woman, grabs a geomungo and heads to the other room.

Gil exclaims, "Look at the funky guitar. Awesome!"

Brian tells Gil that it is a geomungo and if he wasn't mistaken, he spotted a chi and janggu on the way in, also.

Gil says that he has to go check this out. He asks the Little Korean Boy if it is OK to get up. The Kid tells him yes.

Zack in a snide manner, "Yeah, he can get up."

Stage Direction: Gill wanders off into the next room. Kyon has overheard Brian and is much impressed by him.

Kyon talking to Brain says that he has much knowledge of the Korean Culture. Brian thanks her. Kyon says that was way forward of her and she should retire to her room and sleep.

Brian reassures her that it was OK and she doesn't have to do that.

Stage Direction: Brian smile at her. Kyon, in a shy way smiles back. Zack looks around and spots Mrs. Kim staring daggers at him. he looks another direction and there's the intense Little Korean Boy, staring daggers at him. he sighs, miserable.

End of Scene 18

End of Side for Little Korean Boy.

Editor Note: There is a scene fragment for the scene 19 on the script page. It is a scene between Rory and Logan.

Interior Pub - Night (Night 4) - Scene 19 -

Stage Direction: Rory and Logan are sitting at a table. A cappuccino in front of Rory. Logan's got a Black and Tan in front of him. They are close, cozy and seem to be having a good time.

Rory says to Logan, "I can't believe you've never seen 'The Office'."

Logan tell her he feels very stupid.

End of Scene 19 Fragment

End of Casting Sides for 5.12 - "Come Home"

Episode 5.13 - Wedding Bell Blues - The 100th Episode
Airdate - 8 Feb 2005

From opossum

Emily and Richard renew their vows.

And there is going to be a lot of stuff happening at the wedding

Luke and Chris get into a fight. And no it's not a fist fight

From Jet1945

Info taken from Sides in the Shooting Script 12/5/04

The information summarized below is taken from the 7 Sides published on 12/5/04 for a Judge, A Portly Gentleman, Susan, Bill, a Band Leader, a Woman, and the Photographer.

I will include context and stage descriptions where appropriate.

There is a lot of Dialog and Stage Direction blacked out in these Sides.

Characters:
Judge - Older man
Portly Gentleman - Older Portly man
Susan - Woman, near Lorelai's age
Bill - Man - near Lorelai's age
Band Leader - man
Woman - Woman (gossip?)
Photographer - Man

Assumed Interior Location Unknown - Day - (Day Unknown) - Scene 17 -

Editor Note: Scene is picked up in progress.

Stage Direction: Angle on Emily. Emily now approaches the platform. Richard steps forward and offers Emily his arm. He walks her up to the Judge. The string quartet finishes their song.

The Judge asks everyone to be seated.

Stage Direction: The guests sit

The Judge begins his remarks describing how he has known Emily and Richard Gilmore for 20 years. He has known them to be two of the most formidable opponents the world has ever seen. They compliment each other. They defend each other. In a word, they were made for each other.

Stage Direction: Rory glances back over her shoulder to look at Logan again.

Editor Note: There is extensive Stage Direction that is blacked out here. It appears from what can be made out to involve Rory and Logan in some manner.

A Working Assumption: From other Spoiler sources, it is known that Logan has a Girl Companion with him at some point during the episode. It is possible that Logan has attended the Wedding with that Girl companion.

Stage Direction: Angle on Rory. Rory turns back. Her face falls.

The Judge is continuing telling everyone that today, in front of friends, Richard and Emily have chosen again to say to each other, "I choose you." The Judge continues asking, "How many of us in a lifetime get chosen, even once, for something we really want."

Stage Direction: Angle on Luke. He is still transfixed, staring at Lorelai. Marilyn leans in and whispers to him. In the back of the room a man comes in. He quietly walks forward and takes a seat in the back of the room. It's Christopher. No one notices.

The Judge ask Richard and Emily to face each other.

Stage Direction: Richard and Emily turn to each other.

The Judge: "Please repeat after me. I, Richard Gilmore..."

Richard begins his vow: "I, Richard Gilmore..."

Stage Direction: Fade Out.

Editor Note: The scene closing Stage Direction is blacked out.

End of the Side for the Judge

End of Act Two.

Assumed Interior Location Unknown - Day (Day Unknown) - Scene 18 -

Editor Note: Scene 18 is picked up in progress. A lot is blacked out.

Stage Direction: Angle on Rory. Rory positions herself behind a rather portly gentleman who is engaged in a conversation.

The Portly Gentleman is expounding to a woman about facts of genealogy.

Scene Direction: Cut to Luke and Lorelai

Luke is finishing up a conversation with a couple named Susan and Bill. Lorelai is there also.

Stage Direction: Lorelai swallows.

Lorelai greets Bill: "Hi, Bill, you remember me? Lorelai?

Bill remarks that he does and it is nice to see you again.

Susan jumps in to say that they should go find their table and that they would see them again later.

Luke tells Bill bye and Lorelai says goodbye to Susan.

Stage Direction: Bill and Susan exit off. Lorelai pats Luke on the back.

There is further dialog on the balance of the page between Lorelai and Luke about Bill and Susan. It is all blacked out.

Scene Direction: Cut back to the Portly Gentleman.

The Portly Gentleman is rambling on about how you start with at the siblings and then count down even generations, the children of siblings are first cousins, the grandchildren of siblings are second cousins, and so on. He continues on at great length describing second and third cousins twice removed.

Stage Direction: Rory peeks out from behind and looks at Logan...the balance of the blacked out Stage Direction cannot be made out.

End of Sides for Bill, Susan, and The Portly Gentleman.

Editor Note: Scene 18 Continues and is picked up a bit later.

Lorelai: "Oh, uh..."

The Band Leader booms out: "Ladies and Gentlemen, I'd like to present to you for the second time, Mr. and Mrs. Richard Gilmore!"

Stage Direction: The room breaks into applause.

Editor Note: There is about a half-page of blacked out dialog and Stage Direction next.

Stage Direction: Angle on the dance floor. Richard is leading Emily around the dance floor. The guests are applauding. He walks her over to their special table for two and sits her down. The bandleader comes up and hands him a microphone. The guests quiet down. Lorelai and Luke take their seats at their table. Rory is already there, holding a cup of coffee, glaring off in the direction of Logan's table.

Editor Note: There is some blacked out dialog between the three of them.

Stage Direction: Angle on Richard.

Richard begins with: "On behalf of myself and my second wife Emily, I would like to thank you all for coming here to help us celebrate." He says that they are all good friends and that he and Emily are very, very lucky.

Editor Note: There is some blacked out Stage Direction concerning Lorelai.

Richard continues with how he gave the planning for their traditional first dance a lot of thought. That the song would represent the next phase in our marriage. The best phase of their marriage. He went over all the greats: Bennett, Sinatra, Chuck Berry and a story popped into his head. Then he says: "Now, most of you know my daughter, Lorelai."

Stage Direction: A couple at the table next to Lorelai lean in to each other.

The woman says: "The pregnant one."

Stage Direction: Lorelai sighs.

Editor Note: I know this little chunk of the scene is going to have people running off that Lorelai is now pregnant with Luke's child. However, what is shown in the Sides and such does not confirm that one way or another. IMO, however, in reading things and analyzing the context, it is my take that this is an older woman who knows of Lorelai's pregnancy with Rory and Lorelai's entire back story. It is in this context that when Richard makes reference to everyone knowing his daughter Lorelai - that this is how Richard's friends know of her - Pregnant Lorelai at age 16. Hence, the woman's descriptor - 'The pregnant one." Of course, it is possible that Lorelai really is pregnant again. But, as I wrote, this context refers to Lorelai in her younger years. YMMV

Editor Note: The balance of the page is blacked out. So, we do not know the name of the song

We pick up with Emily saying to Richard; "I cannot believe you remembered this song."

Richard asks for her hand.

Stage Direction: Emily takes his hand. She gets up and they start to dance. The balance of the direction is blacked out.

Stage Direction: Angle on Richard and Emily. They dance.

There is some blacked out dialog between Richard and Emily.

Stage Direction: Angle on the Band leader. he gets up and steps up to the microphone.

The Band Leader says: "At this time, if you're in love, we'd like to invite you to join Emily and Richard on the dance floor."

Stage Direction: Angle on Lorelai and Luke.

Most the next part of the dialog is blacked out, but from what I can just make out - Lorelai is asking (telling?) Luke to dance.

End of Side for The Band Leader.

Editor Note: Scene 18 continues on.

Assummed Interior Location Unknown - Time Unknown - (Day/Night Unknown - Scene 28 -

Editor Note: This scene - you've all been there - the group Wedding Picture - Chaos reigns. The scene is picked up in progress. There is a lot of blacked out Stage Direction and Dialog.

Stage Direction: The photographer take's Lorelai's arm and brings her over to the outside of Emily.

The photographer does his thing telling everyone that that is wonderful. Hold that...Everyone a little closer... perfect hold that.

Stage Direction: The photographer aims his camera. Lorelai leans in close to Emily's ear.

Lorelai's one dialog line is blacked out.

Stage Direction: Lorelai stands back up.

The photographer counts: "one, two, three..."

Stage Direction: He snaps the picture as Emily realizes what Lorelai just said to her, as we: FADE OUT.

End of Side for the Photographer

End of Scene 28 and

End of The Show

End of Casting Sides for 5.13 - "Wedding Bell Blues"

Character Spoilers

Logan is Rory's new love interest.

Christopher will be in 7 episodes this season. Chris will appear in episode 6.

Dean will not be leaving the show. He's staying all season.

Alex Borstein is returning for season 5. We don't know if she's playing Drella again.

DrunkGorillaMask Yalie that Rory follows in ep 5.06? She'll be played by Katherine Bailess for at least 5 episodes. The character's name is Stephanie.

Sookie is pregnant again.

General Spoilers/Articles

Filming is on hiatus starting 17 December.

Spoilers may change at any time without any notice. Spoilers are posted here as they are given, we will not alter, change or reword any of my spoiler sources. So, if there is a spelling error, so be it! Any 'spoiler' not verified by one of my sources will be considered a rumor until there is verification that it is true. Do not post whole or excerpts of scripts.. summarize them. Please do not ask where we get the spoilers or how our sources know these spoilers.
Credits: Opossum, Kitty and ABNormal of Fan Forum, Fraz and Jenna of Fanbolt and Gilmore-girls.net, Heidi of Gilmoregirls.org, Zap2it.com, Eonline.com, Showfax.com, Aint-it-cool-news.com, Spoilerfix.com, and Filmjerk.com.
Have a spoiler, rumor, questions or comments.. post it! Please tell us where the said spoiler/rumor has come from (e.t. from the WB tour, online, another board). If you wish to be named, or feel like you haven't been properly credited, PM me as soon as possible.

~Kitty · 12-09-2004, 07:28 PM

5.10 - But Not As Cute As Pushkin - Video Clips

The links below are for a total of 13 clips of the episode.

All the files this time are wmv format. There were too many, and they were too large to do it any other way. If anyone feels that they need and .mpg or DivX .avi version. Let me know and I'll see what we can do.

They are:

Paris - Terrance - Rory - Life Coaching - 5.4 mB - Time 1:23

Lorelai - Luke - Advantages in Dating a Diner Man - 5.5 mB - Time 1:35

Rory - Anna - The Tour - 7.3 mB - Time 1:52

Rory - Anna - Logan - The Smell of Books - 7.6 mB - Time 1:56

Lorelai - Luke - Mrs. Thompson - The Boat Story - 16.3 mB - Time 4:11

Rory - Anna - Marty - Paris - The Pub - Spike & Drusilla - 9.2 mB - Time 2:21

Rory - Logan - Colin - Finn - The Skit - 7.2 mB - Time 1:50

Paris - Doyle - Speed Dating & Aftereffects - 12.6 mB - Time 3:13

Rory - Anna - Logan - Butt-Faced Miscreant - 8.7 mB - Time 2:13

Lorelai - Luke - No Respect For What I Want - 7.8 mB - Time 2:00

Rory - Marty - Don't Be Naive, It's Annoying - 7.9 mB - Time 2:02

Miss Patty - Lorelai - Luke - Anniversary & Reconciliation - 11.7 mB - Time 2:57

Logan - Richard - The Sting - 7.0 mB - Time 1:47

The clips below are available now, but are subject to being rotated for bandwidth reasons.

Computer Geek Stuff:

PC Users - Right Click to save on your machine
Mac Users - CTL Click to get context menu to save on your machine.

Paris - Terrance - Rory - Life Coaching - 5.4 mB - wmv Format

Lorelai - Luke - Advantages in Dating a Diner Man - 5.5 mB - wmv Format

Rory - Anna - The Tour - 7.3 mB - wmv Format

Rory - Anna - Logan - The Smell of Books - 7.6 mB - wmv Format

Lorelai - Luke - Mrs. Thompson - The Boat Story - 16.3 mB - wmv Format

Rory - Anna - Marty - Paris - The Pub - Spike & Drusilla - 9.2 mB - wmv Format

Rory - Logan - Colin - Finn - The Skit - 7.2 mB - wmv Format

Paris - Doyle - Speed Dating & Aftereffects - 12.6 mB - wmv Format

Rory - Anna - Logan - Butt-Faced Miscreant - 8.7 mB - wmv Format

Lorelai - Luke - No Respect For What I Want - 7.8 mB - wmv Format

Rory - Marty - Don't Be Naive, It's Annoying - 7.9 mB - wmv Format

Miss Patty - Lorelai - Luke - Anniversary & Reconciliation - 11.7 mB - wmv Format

Logan - Richard - The Sting - 7.0 mB - wmv Format

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From fan1bsb97

Jojo's Place for Clips

5.10 But Not As Cute As Pushkin Clips

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5.02 - A Messenger, Nothing More - Promos

The links below are for the 3 promos that aired for the Episode. It looks like based on 5.01 that The WB is not airing Promos for the repeats.

They are:

Rory's Mistake - Time 0:12

Rory Confronts Her Mistake - Time 0:10

Time To Confront Her Mistake - Time 0:20

Computer Geek Stuff:

PC Users - Right Click to save on your machine
Mac Users - CTL Click to get context menu to save on your machine.

Rory's Mistake - 2.0 mB - mpg Format

Rory's Mistake - 2.9 mB - DivX AVI Format

Rory Confronts Her Mistake - 1.7 mB - mpg Format

Rory Confronts Her Mistake - 2.4 mB - DivX AVI Format

Time To Confront Her Mistake - 3.4 mB - mpg Format

Time To Confront Her Mistake - 3.7 mB - DivX AVI Format

Note: The DivX Format clip has significant improvement in quality at 720 x 480 in size. I am working on improving the mpg (MPEG1) Format. I am looking for a better codec.

ETA: I need to get a feel if Folks want to have Video Clips from Episode 5.01 - Say Goodbye To Daisy Miller. PM me or email me. - Jet

~Kitty · 12-09-2004, 07:28 PM

From Fraz

...this is the new Gilmore Girls billboards going up.

...And posters.

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The Season 5 Promo pics can be found HERE.

HQ versions of some of the pics are at Luminary

mimimoon2007 · 12-09-2004, 07:32 PM

Youhou! third thread in two days

Hey, that's my title!

Scara-Anne · 12-09-2004, 07:33 PM

ok, new thread same question:

Will Taylor appear again this Season? I kinda miss him ... (although I don't really like him)

beccabv · 12-09-2004, 07:35 PM

Oh my goodness, ANOTHER new thread?

I too would love to see the show end in Luke's diner, much like the first episode ended, with Rory and Lorelai just talking and laughing. But not yet. One more year or maybe two. Considering the miserable failures that are most of the WB shows right now, I'd be surprised if they dropped the one that is doing so well. It might even be their most popular show right now, but I'm not certain about that. I think it's pretty much all up to the actors and ASP. I don't recall hearing any grumblings from the cast, so hopefully they are all game for another season or two. I suppose if ASP feels she has reached the end of her creativity with these characters, she has explored them as much as she can, then there's not much else to do but end it. But this season has been amazing, both in terms of character development, plots, and humor.

ETA- Taylor is supposed to appear in the next episode (read the sides for 5.11, he's mentioned there).

bybrandy · 12-09-2004, 07:35 PM

Taylor is in episode 11.

I've edited this post more times than there were words in it when it started... sigh. I should read things before I post them!

The actors are contracted through season 6, right? So depending on what outs they have in their contracts it would be mostly up to the WB at this point.

~~ CherylS ~~ · 12-09-2004, 07:43 PM

Just one more please.....I can't imagine a world without Luke and Lorelai. Rory can go on but they must be in our lives. Luke and Lorelai the early years....

I know it's the Gilmore Girls....but for me it's the Gilmore Girls Plus Their Guys.

ReeMaria · 12-09-2004, 07:45 PM

wow! I was 3 board behind! Jeez! Too much to catch up on. There will probably be at least 2 more boards up before I am up to date on these past few!

motylik20 · 12-09-2004, 07:52 PM

I agree with everyone saying that the show should end with a quiet scene where Lorelai and Rory are talking and we somehow see everyone in the background. Kinda like the second season started...or the pilot...I think that that's exactly what Amy will do. I mean she said in some interview that she wants the last ep to be just like any other. It wouldn't make sense if she gave it another ending. *nods* Especially since I sometimes have a feeling like she's reading this bord and now she has read that we agree on what we want *lol*

But I do think that I want Lorelai to marry Luke. I don't want it to be the ending but I want it to happen. Or at least be close to happening. *lol* and of course Lorelai being pregnant would be great although I'm not sure that it would fit

I think that they would need Rory to graduate to come a full cycle too. Plus Rory still has a long way to go before she grows up.

Scara-Anne · 12-09-2004, 08:04 PM

@ bybrandy: I thought the actors are contracted through season 5 ...

I want Luke and Lorelai to marry as well!!! That's what we've been waiting for since ... well ... forever (or at least since season 1 *lol*)

A. B. Normal · 12-09-2004, 08:13 PM

Quote:

Originally posted by Scara-Anne
@ bybrandy: I thought the actors are contracted through season 5 ...

Last I read, Lauren had a 7 year contract. Although, that doesn't have as much bearing on what the network decides. After 100 episodes they have to start paying the producers a lot more, if they can make more money than they have to spend on the show then we might see another year. I'd like to see them go out on top and with fans satisfied with the story, as a majority of the audience is right now.

I could see the series ending with a L/L wedding. It fits. I don't think we need to see Rory graduate at all for her story to be complete, she just needs to mature in some way before the show's over, cause adultery wasn't it. I think having "the whole package" applies to Lorelai just as much as it does to Rory. Possilby the Gilmore's journey (Emily, Richard, Rory, and Lorelai) was realize and accept that the whole package doesn't have to include birthmom and birthdad happily ever after. Sometimes all you need is the happily ever after.

I get cheesy on no sleep, huh! Final #2 in 1 hour, go me!

Scara-Anne · 12-09-2004, 08:22 PM

Oh boy, I just wanna wake up tomorrow and - "Boom" - hiatus is over ... why can't it be that way?
(WHEN will hiatus be over??? Sorry for that stupid question ...)

I'm going to sleep now. night all

IncaJ. · 12-09-2004, 08:47 PM

I don't want the show to end! What am I supposed to do with my life then?..... Hm, studying might help with the finals and everything... noooo.

But I agree, the show should end quietly.... leaving the fans sighing happily.
Still I don't think they'll end it this year, that would be way too fast. They could really get another season out of it. Granted, after some time even the best show gets boring (see 7th heaven), but another season wouldn't be too much, there are still so many storylines left they could use....
I want my weekly Gilmore dosis!!! *pouts*

Inca

gilmoregal · 12-09-2004, 08:49 PM

The show can't possibly end this season unless the WB totally messes up as they did with Buffy a few years back and lets the show go because they are too cheap to keep it on the air. Gilmore Girls has proven to be a staple to the network, and it would boggle my mind if the execs over there didn't renew it for at least one more year, if not two.

Personally, I think all the cast members would come back for one more year. I think Alexis is the only one who might be uneasy about signing on for more than that.

But, definitely with the ratings this year, they HAVE to come back for one more year. Let ASP really plan out a good ending season for the show, and do it right. An L/L wedding. Rory going off to study or do an internship abroad. Events that demonstrate the girls' growth and how they have achieved what they always wanted... Lorelai - the desire for love, comfort, understanding, and safety which she finds with Luke. And, Rory - the desire to see the world and to move ahead with her life.

Of course, 2 more years would be the best. Because, then Rory would graduate from Yale, and maybe L/L could have a child. And, then really the "Gilmore Girls" world as we know it really would be different. I would love for Lorelai to have the twins she dreamed about. Or, even just a boy so that she'd have one of each, and she could name the boy William after Luke's father (or Luke jr... because wouldn't it be cute for them to have a Lorelai (Rory) and a Luke as kids?) haha

But, I guess we'll just have to wait and see. Although, I will be REALLY sad and bitterly disappointed if this were the last season. It just doesn't feel right yet.

Hannah